项目是一套位于上海外滩的顶层复式公寓，向外拥有遥望陆家嘴的绝佳景观，向内则拥有大隐于市的松弛氛围。女主人是知名企业高管，她希望这里能够成为自己退休后的一处既平静质朴又丰富实用的居住空间。

The project is a duplex apartment located on the Bund zone in Shanghai, with great views out to Lujiazui and a relaxing atmosphere inside that is different from the busy city. The owner the house, a well-known corporate executive, wanted it to be a calm and peace yet rich and functional living space for her retirement.

▼视频，Video ©上海四目摄影

“住宅的物质空间是人精神世界的外化”。我们采用了一种心理分析的方法作为设计切入点，通过一份涉及生活习惯、喜怒好恶等的问卷来进行客户内心画像，并最终确定了如下设计策略：通过删繁就简的操作使空间关系简洁而明确，同时通过对构图、视线、色彩和细部的精确控制来回应对丰富性的要求。

The physical space of a home is an externalization of one’s spiritual world. We adopted a psychoanalytic approach as an entry point for the design, using a questionnaire involving lifestyle habits, likes and dislikes, etc. to conduct an internal portrait of the owner, and finalized the design strategy as follows: Spatial relationships are made simple and clear through simplification, and the demand for richness is met through precise control of shape, sight, color and details.

▼楼梯是起居室的关键元素，Staircase as the key element of living room ©Angie

布景 Scene

起居室二层通高且拥有整面的落地玻璃，使得这个活动频率最高的空间拥有充足的自然采光。我们不希望人在这种超高的空间中产生一种尺度上的迷失感，因此起居室的视觉重心被有意压低，将人的感知控制在整个空间的下层。墙面和顶面用圆弧过渡，一定程度上也模糊了空间的上限边界。

The living room has high ceilings and floor-to-ceiling glass, allowing for plenty of natural light in this most active space. We don’t want people to feel a sense of scale disorientation in this extraordinarily high space, so the visual center of gravity of the living room is intentionally low, controlling human perception to the lower level of the entire space. The curved transition between the wall and ceiling also blurs the upper boundary of the space to a certain extent.

▼空间的重心被控制在下层，The key of space is on the lower floor ©Angie

▼墙上的画作来自匈牙利艺术家Márta Kucsora The painting on the wall is by Hungarian artist Márta Kucsora ©Angie

▼通往二层私密空间的楼梯 Staircase to the private space on the second floor ©Angie

有楼梯的一侧被当作起居空间中最重要的“布景”而进行设计。房屋一层功能以起居室、餐厅等公共活动为主，二层是主卧室、茶室等偏私密的空间。因此楼梯作为公共和私密之间的过渡，天然具有“升幕”和“落幕”的隐喻。我们将这种隐含的关系外化成了一种几何化的抽象表达：通高的实体背景墙前有一堵斜向矮墙，人清晨沿斜线徐徐而下，展开一天的剧情；夜晚则拾级而上，回到幕后自己的内心世界。

The interface with stairs is designed as the most important “scene” in the living space. The first floor is mainly used for public activities such as living room and dining room, while the second floor is a more private space such as the main bedroom and tea room. Therefore, the stair, as a transition between public and private, naturally has the metaphor of “rising curtain” and “falling curtain”. We translate this implicit relationship into an abstract expression such as the one below: The high background wall is preceded by a short wall that slopes downward, and one descends along the slanting line early in the morning to unfold the day’s drama, while at night one picks up the steps and returns to one’s inner world behind the curtain.

▼起居室概览，Overall view of the living room ©Angie

▼由二层的弧形窄窗望向起居室 Looking into the living room from curved narrow windows on the second floor  ©Angie

▼硬朗的楼梯线条，Tough staircase form ©Angie

▼每个梯级都由单独的脚灯照亮 Every step is illuminated by single footlight ©Angie

起居室的三个窗口分别从不同角度和高度引入自然光，墙面的弧线和光线的交织映射出了一个动态的光影剧场。楼梯的硬朗线条与墙面的柔和曲线相形成对话，互为衬托。

Three windows in the living room bring in natural light from different angles and heights, and the curves of the walls and the interweaving of light create a dynamic theater of light and shadow. The hard lines of the stair contrast with the soft curves of the wall, complementing each other.

▼起居室局部，Part of the living room ©Angie

▼从二层茶室平看起居室上层空间 Viewing the space above living room from tea room on the second floor ©Angie

▼二层走廊，Corridor on the second floor ©Angie

▼餐厅局部，Part of the dining room ©Angie

▼餐厅的自然光影，Natural light and shadow in the dining room ©Angie

叙事 Narrate

我们以纵深的叙事感来进行二层卧室场景的营造。十字形空间结构将四周的卧室、通廊、琴室、更衣室组织起来。由四根“柱子”围合成的十字中心为目光提供了视觉引导，使其沿着轴线进入各个空间。视觉通廊是此纵深结构的关键，就如同一个精确的视觉桥梁，通过精准的比例和节奏感来为各功能空间建立关联。

We create bedroom scene through a sense of depth and narrative. The cross shaped spatial structure organizes the surrounding bedroom, pathway, piano corner, and dressing room. The center enclosed by four “pillars” provides visual guidance for the eyes, allowing them to enter various spaces along the axis. The visual corridor is the key to this depth space, just like a precise visual bridge, establishing connections between various functional spaces by means of precise proportions and a sense of rhythm.

▼看向卧室的场景，Scene of the bedroom ©Angie

▼看向衣帽间的场景，Scene of the cloakroom ©Angie

其中一侧的墙上设计了整面的穿衣镜，创造出一种现实和虚拟交错混织的效果，这个视错觉进一步放大了空间的纵深感。

On one side of the wall, a full mirror is placed, creating a blend of reality and virtuality, which further expands the depth of the space.

▼虚实交错的“十字空间” ，A “cross space” where virtuality meets reality ©Angie

▼卧室与卫生间局部，Part of the bedroom and the toilet ©Angie，林磊

墙面采用了暖色的磐多魔涂料，并且保留了施工过程中的手工涂抹痕迹。其他主材则采用了天然木皮和天然洞石。我们希望通过这类丰富且随机的肌理来唤醒空间中的人对自然和时间的细腻感触。

The wall is painted with warm colored PanDOMO and retains the traces of manual brushing during the construction process. The other main materials are natural wood veneer and natural stones. We hope to awaken people’s perception of nature and time through this rich and random texture.

▼楼梯扶手与餐厅墙面细部，Details of the handrail and the wall © 林磊 ，Angie

▼空调回风口与楼梯踏步细部，Details of the ventilation and the step ©林磊

▼平面图，Plan ©方居建筑