Brazil Escultura de Museu Brasileiro

位置：巴西

分类：公共环境

内容：实景照片

景观设计

：Paulo Mendes da Rocha

图片：17张

Mendes da Rocha作为Vilanova Artigas的门徒，人们一直以来将他与Paulista学校联系在一起，该校因巴西野兽派艺术风格而闻名。他的追随者，包括Joaquim Guedes和Lina Bo Bardi，非常善于使用最简单的材料和形态来最大限度的跨越空间，尤其擅长利用未经加工的长条混凝土板块来跨越空间。而因为该博物馆大部分空间都处于地下，Mendes de Rocha并没有将这些混凝土块设计成似于漂浮的状态。他在该项目中运用了一种经典野兽派的艺术手法----一个长条的不规则结构，看起来就像是一个长长的桌子或者长凳，它的设置除了让博物馆免受城市强烈的日晒和夏季的暴雨，还巧妙地对室外雕塑花园的空间做出了合理的划分。Roberto Burle Marx团队所设计的花园景观不仅仅是Mendes de Rocha项目的一个装饰品，该花园已经成为了博物馆自身不可分割的一部分，园中展示着现代主义雕刻家Ivald Granato 和Francisco Brennand的不朽作品。站在这些雕刻中央，你几乎完全感觉不到你所站的位置正是博物馆的顶端。

译者：蝈蝈

A protege of Vilanova Artigas, Mendes da Rocha has long been associated with the so-called Paulista school, also known as Brazilian Brutalism. Its adherents, including Joaquim Guedes and Lina Bo Bardi, are known for spanning vast spaces using the simplest materials and forms — above all, long blocks of raw concrete. At MuBE, Mendes de Rocha had to severely limit this desire to make mass float, since most of the museum lies underground. However, he does include one classically Brutalist outcropping — a long, difficult-to-define structure that looks something like a long table or bench. Besides providing shelter from the city’s fierce sun and summer downpours, it subtly defines the space of the outdoor sculpture gardens.Created by great landscape architect Roberto Burle Marx, the gardens are more than just a pretty adjunct to Mendes de Rocha’s project. They form an integral part of the museum itself, displaying monumental works by modernist sculptures like Ivald Granato and Francisco Brennand. Standing amid these works, there is little indication that you are also on top of a vast museum.

巴西雕塑博物馆外部实景图

巴西雕塑博物馆外部局部实景图

巴西雕塑博物馆内部实景图