墨西哥峡谷中的隐秘咖啡厅_公共建筑_设计案例作品

发布时间：2012-04-21 05:36:00 {{ caseViews }} {{ caseCollects }}

设计亮点

浮动观景台与嵌入山体的咖啡厅，打造与自然景观完美融合的现代空间。

这是位于哈利斯科，瓜达拉哈拉，Parque Mirador Independencia的一个瞭望台加咖啡厅项目。项目隶属与赫尔佐格&德梅隆为当地所做的现代与当代博物馆绿化总规范围。瞭望台倚靠一个大山坡上，前面是壮丽的峡谷景观。

瞭望台就是一个挑空的，浮在山坡外的简单平板，下面依靠斜牛腿与山坡固定。咖啡厅隐藏在下方的山体之中，需要拉开滑动的地板，通过一个单独的楼梯下达，因此人们在地面上完全看不见咖啡厅，咖啡厅里的大玻璃幕墙也保证了这里有着非常良好的景观视线。两个毫不突出的建筑，巧妙的融入峡谷，让人们饱览胜景。

LOOK-‐OUT POINT AND COFFEE-‐RESTAURANT

PARQUE MIRADOR INDEPENDENCIA

This is a neutral architectonic intervention that complements TOA’s (Taller de Operaciones Ambientales) landscaping master plan and Herzog de Meuron’s Museo de Arte Moderno y Contemporáneo (Modern and Contemporary Art Museum) located in the Parque Mirador Independencia of Guadalajara, Jalisco. The lookout-‐point and coffee-‐restaurant rivet the natural disemboguement of Av. Independencia but unobtrusively align to the sliding gesture of the landscape. Both facilities were achieved through a single architectonic manoeuver that consisted of an excavation and displacement of the look-‐out ground onto a jutting platform.

At ground level, only a slender slab projected over the gorge is visible. In prima facie, a visitor would have the impression of stepping onto a floating sheet of concrete. The true depth of the observation deck is concealed by the diagonal slant of its corbel underbelly and the overall structure is securely fastened by a parallel bridge devised in similar fashion.

The coffee-‐restaurant, located in an underground pit preceding the observation platform, is totally invisible at ground level. The excavated grotto adds to the “floating deck” effect of the look-‐out point. Both amenities are the result, as it were, of sliding a match-‐box open. The service area is also located underground and may be doubly accessed through the coffee-‐restaurant and an independent lateral stairway. Also, the coffee lounge lying below the look-‐out enjoys large window panes gazing over the gorge and connects directly to a stairway leading to TOA’s open amphitheater down in the ravine.

The main virtue of this direct and simple intervention is that both facilities are inconspicuous to sight and their interrelation subtly emulates the landscape gesture of the ravine.