一旦問題被捕捉到，事情就開始運轉了(Carlo Scarpa,1984) ，第一層次為切入建築的方式，第二層次即為動線以及局部空間的連動關係，第三層次亦為注重細部工藝，注重親近人尺度和質感

Once the problem is caught, things begin to work (Carlo Scarpa, 1984). The first level is the way to cut into the building, the second level is the linkage between the moving line and local space, and the third level is also to focus on the details of the process, and pay attention to the human dimension and texture

Carlo Scarpa建築理念闡述著一種自由體驗的可能，就如同置身於自然之中，來自形式的隱喻，如涓涓細流般，微妙地與心靈形成作用，人們的記憶與情感得到釋放，喚起自由的感官體驗

Carlo Scarpas architectural concept expounds the possibility of free experience, just like being in nature, metaphors from the form, like a trickle, subtly form a role with the mind, peoples memories and emotions are released, and free sensory experience is aroused

以游園是樂趣，沉浸是靈魂為設計主軸，從體驗為主、產品為輔的切角，於空間創造藝術理念與產品，將展覽融合於一，透過自由轉換，營造時空的錯覺、逃離現實、接近現實的體驗樂趣

With pleasure as garden tour and soul as the main axis of design, from the angle of experience oriented and product assisted, we create artistic concepts and products in space, integrate exhibition, and create illusion of time and space, escape from reality, and experience joy close to reality through free transformation

挑空區域運用仿生設計，將階梯漫步於空間，讓光影交錯的豐富變化，使建築形態建置於大廳

The bionic design is applied in the open area to walk the stairs in the space, so that the rich changes of light and shadow interlace can make the architectural form be built in the hall

場景呈現利用素材來劃分，元素、線條、框架貫穿整體風格，形塑新一代審美思維，金屬隔屏的置入，特殊塗料的運用，光線反射出空間層層陰影，形成完美陰翳的唯美、靜謐、深邃仿彿在傳達場景

The scene presentation is divided by materials. Elements, lines and frames run through the overall style, shaping a new generation of aesthetic thinking. With the placement of metal screens and the use of special coatings, the light reflects layers of shadows in the space, forming a perfect shade of beauty, tranquility and depth, as if conveying the scene

Project name: Gujia Exhibition Hall

Project location: Hangzhou

項目面積：1500平米

Project area: 1500 square meters

Design unit: near environment production

Design Director: Tang Zhonghan