展览设计
撤璃
UN-GLASS
1 |
UN-GLASS consists 14 unique installations
“
想象一个没有玻璃的世界。当玻璃的存在被完全移除，当反射、透明度都不复存在，生活会是什么样子？
”
想象一个没有玻璃的世界。当玻璃的存在被完全移除，当反射、透明度都不复存在，生活会是什么样子？展览“撤璃”展现了一个没有玻璃的世界的颠覆图景。在上海玻璃博物馆展出的十四件独特装置探索当玻璃被完全抹除时的世界样貌。玻璃的存在与缺席形成强烈视觉对比，在洁白干净的空间中以一片漆黑取代玻璃。“撤璃”是
KEEP IT GLASSY
展览系列的第四个概念展览，检视在日常生活场景中我们习以为常的玻璃，并透过抹除一切玻璃的痕迹，凸显出玻璃的无所不在。
Imagine a world without glass. As the existence of glass is completely removed, when reflection, transparency are no longer available, what would our life be like? UN-GLASS presents a subversive view of a world without glass. Fourteen unique installations on display at the Shanghai Museum of Glass explore how the world would look like when glass is deliberately removed. The juxtaposition of glass’s presence and absence is visually communicated through the strong contrast of the indisputable black that replaces anything glass against the clean, white space. UN-GLASS, the fourth conceptual exhibition from
KEEP IT GLASSY
exhibition series, investigates various everyday scenarios where we take glass for granted and highlighting the omnipresence of glass through its absence.
3/3/4/5 | Installation: UN-DRIVEN
概念展览“撤璃”透过移除一切玻璃来凸显出玻璃的无所不在。展览中十四件装置探索了玻璃这个材质与人类历史不同层面的关系，从艺术与科学，到科技与心理，抹除一切玻璃的痕迹，让所有人被离奇而陌生的日常场景包围。
The absence of glass is presented not only visually through blackness over anything glass, but also with interactive and multimedia installations, creating an immersive environment where visitors explore the world without glass from different perspectives. On each caption of the exhibits, a social media post from an imaginary visitor describe their experiences in the world without glass, adding a more intimate layer to the overall narrative. The unsettling feelings and scenarios derived from the absence of glass are visualised with the abrupt blackness in the clean bright space. UN-GLASS utilises hands-on installations as well as hand-made exhibits to juxtapose the utterly conceptual thought experiment with physical interactions and materials.
6 |
The Un-Glass team: Tilman Thürmer, David Keohane, Yichun Chen, Bon Wen and Simay Onaz.
7 | Floor plan
“
一个被黑暗覆盖的箱子上有个开口，我难以抗拒将手放进去一探究竟的诱惑。
一想到奇怪的东西在箱子里等着我，一股不舒服的感觉便在胃里翻搅，将手放进去的这个诱人想法便嘎然而止。
”
玻璃的“不在场”不仅以黑色覆盖所有玻璃，还透过互动与多媒体装置展现，营造一个沉浸式的环境，观众得以从不同视角探索这个没有玻璃的世界。在每一个展项的图说板上有一则虚拟观众的贴文，以第一人称描述他们的体验，在整体叙事中加入了较为亲密的层次。干净的白色空间里，突兀的黑将由玻璃的缺席所衍生出的不安情绪与场景具像化，展览中的互动装置与手工制作展品以实体的互动与材质来对比全然存在想象中的思想实验。
UN-GLASS is curated by Tilman Thürmer, Design Director of Shanghai Museum of Glass. He intends to reveal the omnipresence of glass, often taken for granted in daily life, with a rather radical approach – remove anything glass. “What can highlight the existence and importance of glass more than its absence? When we started this thought experiment, we realised that the impact of glass on us extends far more than its materiality. Glass altered how we perceive ourselves and others, as well as how we connect and experience. ” he said. “Through this subversive world without glass, our international team wants to invite visitors to alter their perspective and rethink about what glass means to them and to humans.”
8/9/10 | Installation: UN-SAFE
“撤璃”由上海玻璃博物馆设计总监迪尔曼·图蒙策展，希望能展现玻璃这个经常受到忽略的材质的普遍性，并且是透过一个较为极端的手法——移除玻璃的痕迹。“还有什么方法能比缺席更凸显其存在的呢？当我们开始这个思想实验，我们发现玻璃对我们的影响远远超出其物质性。玻璃改变我们观看的方式，甚至我们如何连结与体验。”他说道。“透过没有玻璃的世界的颠覆图景，我们的国际团队想要邀请观众改变他们的观点并重新思考玻璃对他们以及人类的意义。”
UN-GLASS is curated by Tilman Thürmer, Design Director of Shanghai Museum of Glass. He intends to reveal the omnipresence of glass, often taken for granted in daily life, with a rather radical approach – remove anything glass. “What can highlight the existence and importance of glass more than its absence? When we started this thought experiment, we realised that the impact of glass on us extends far more than its materiality. Glass altered how we perceive ourselves and others, as well as how we connect and experience. ” he said. “Through this subversive world without glass, our international team wants to invite visitors to alter their perspective and rethink about what glass means to them and to humans.”
11/12/13 | Installation: UN-EXPOSED
上海玻璃博物馆致力于呈现玻璃的无限可能，此次展览“撤璃”展现了一个没有玻璃的世界的颠覆图景。“撤璃”抹除一切玻璃的痕迹，以一片漆黑取而代之，让所有人被离奇而陌生的日常场景包围。这将是一个重新发现玻璃在现代生活中扮演何等不可或缺角色的难得机会。
As an institute dedicated to unfold the limitless possibilities of glass, Shanghai Museum of Glass presents a subversive outlook of an obscure world without glass. UN-GLASS rips anything glass off from the fabric of reality and replace with patches of impenetrable pitch black, leaving everyone surrounded by uncannily unfamiliar scenarios in daily life. This is a rare opportunity to rediscover what is essential to us as human and our modern lifestyle.
14/15/16/17 | Installation: UN-EXPLORED
“
我猜青蛙看到水井之外的世界之前，对井底的生活没什么怨言。
也许我们曾经和那只青蛙没什么不同，但由于我们拥有探索的欲望，我们找到了出路。
我们究竟是望向井里，还从井底望向天空呢？
”
我们很难想象一个没有玻璃的世界，除非玻璃与其特性，和它派生的科技进步被有意移除。没有玻璃，许多关键的科技创新，例如手机和平板的触摸屏等建构现代生活方式的的东西将不存在。在“撤-享”这个展项里，遍布于苍白无色世界里不容置疑的黑色是一句大胆的宣言：以手机和相机的即时生活经验分享将不复存在，因为屏幕不曾存在。而展项“撤-联”中，十幅框裱的照片描绘了上海日常街道场景里快速传递网络的光纤电缆不见了，取而代之的是手工缝上的黑线。揭示了日常生活中数字层面的物质性，以及我们互联网上享有的一切都是由一种实体——玻璃——所成就的。
It is hard to imagine a world without glass until it is deliberately removed, so are the features and the technological development derived from it. Without glass, several corner-stone technological innovations, such as the touchscreen for smartphone and tablet that constitutes the modern lifestyle would not be possible. In UN-SHARED, a colourless world is populated with indisputable black as a bold statement: how we instantly share experiences with smart phones and cameras is now nullified in the world without glass, for the screen would not exist. Whereas in UN-CONNECTED, the absence of fibre glass cables, how fast internet is transmitted, is replaced with with hand-sewn black threads on ten framed photographs of mundane street scenes in Shanghai. The works reveal the materiality of this digital layer of everyday life and how the connection we enjoy on the web is powered by something very much physical —glass.
18/19/20/21 | Installation: UN-CONNECTED
当没有了透明性，我们可能会发现许多熟悉的场景将全然改变。
“撤-购”荒凉的商场橱窗被裁切掉，叩问在没有了玻璃橱窗，零售体验将会如何改变？
而品牌又将如何在实体空间里与消费者沟通？
When transparency is not available, we might find many familiar scenarios utterly changed. Un-SHOPPED reveals a bleak view of a shopping mall with windows cut out from the scene, questioning how the retail experience would be changed if there is never a window and how brands communicate with consumers in physical environments.
22/23/24 | Installation: UN-SHOPPED
25/26| Installation: UN-POLLUTED
没有玻璃，很多活动将不可能进行。
一个互动装置模拟驰骋于没有车窗的车子里所遭受的强风，“撤-驾”描绘我们的行动力将如何大受限制，以及我们交换文化与生活经验的方式。
而“撤-旅”则以一队黑色飞机质问假如快速的长途旅行不存在，我们将如何定义世界的疆界。
Many activities would be impossible without the help of glass. With an interactive installation that simulates the roar of wind in a glassless car, UN-DRIVEN picture how our mobility would be restrained, and so would our ways of exchanging cultures and experiences. In UN-TRAVELLED, a fleet of blackened airplanes questions how we define the boundary of our world if fast long distance travel is not available.
27/28 | Installation: UN-TRAVELLED
“
当遍寻不着镜子，挫折像海啸一般汹涌袭来。
假如我对我的形象逐渐陌生，我要如何准备面对可能碰到的一切？
我会不会慢慢地失去作为独立个体的意识？
”
如果没有镜子的反射，我们可能连准备出门都有困难。
在“撤-妆”这个展项中，人们选择如何定义自己外表的能力并形成自我认同受到了质疑。
透过镜子的反射，人开始意识到自己拥有改变他者如何感知自己的能力。
镜子消失之后我们的感知身份会随之改变吗？
If there is no reflection from the mirror, we would have even struggle to get ready. In UN-READY, one’s ability to define the appearance of his or her choice as well as the individual identity are put in question. Through the reflection of mirror, one becomes aware of the ability to change how him or her is perceived by others. Would the absence of mirror alter our perceived identity?
29/30/31 | Installation: UN-READY
玻璃对人类的影响和意义远超其物质性，它改变了我们观看世界和自身的方式。
这一既向内又朝外的特殊视角促使我们反观自身，也启发我们探索未知。
在带来新视角之外，我们还学会了利用玻璃来表达思想，传递想法。
“撤-探”提醒人类透过玻璃，我们饱看了内与外，发现了内外间广袤无垠的奇妙宇宙。
透过一个抽象的望远镜装置，万花筒般的图像浓缩千年人类的大跃进，引发观众思考探索是怎么驱动文明前进的。
而“撤-注”展项里，上下求索的欲望被具体呈现在一只覆盖着黑色颜料的放大镜上，或许人类若没有在好奇心的驱使下开启未知的探索，世界上便不会有玻璃。
The impact and meanings that glass brought to humans have stretched far beyond its materiality. Glass changes the way we see the world and ourselves. This unique vision that goes both inwards and outwards has motivated us to reflect on ourselves as well as inspired us to explore the uncharted territories. Despite the new perspective granted by glass, we also learnt to use it to extend our thoughts and communicate ideas. UN-EXPLORED reminds visitor of how human, with glass, took a good look inward and outward, discovering an immense wondrous universe inside and out. Through a metaphorical telescope, the kaleidoscopic images condense many great leaps across millennia, inspiring visitors to contemplate on how civilisations have been propelled by exploration. In UN-FOCUSED, the desire to look deeper is materialised with a magnifying glass which is covered in black in the world with no glass. Perhaps if human had not been driven by curiosity to march into the uncharted territories, there would never been a single piece of glass in the world.
32/33/34/35/36 | Installation: UN-BUILT
不同时代人们对建造周围环境的材料选择，承载了这一时代价值和精神象征，而现代建筑里不断增加的玻璃代表了人们对透明、开放与创新的追求。
“撤-构”检视建筑和玻璃的关系并展现当代价值观。
包含罗浮宫、新德国国会大厦及苹果第五大道店，五座以玻璃作为主要设计元素来表达观点的标志性建筑以铝板蚀刻画呈现，然而所有玻璃的部分都被一片漆黑取代。
The choice of materials for built environments in different times is the embodiment of the values spirit of the era, and the increasing use of glass in modern architecture has expressed our pursuit for transparency, openness and the innovation. UN-BUILT investigates the relationship between glass and architecture and how glass is used as a design choice to communicate contemporary values. Five iconic buildings that use glass as main material to bear the messages, including Louvre Pyramid, Reichstag and Apple Fifth Avenue, are etched on aluminium plates but the glass are replaced with patches of blackness.
37/38 | Installation:
UN-PLEASANT
39/40 | Installation: UN-RECOGNISED
“撤璃”是上海玻璃博物馆的“KEEP IT GLASSY”展览系列的第四个概念展览。
UN-GLASS is the fourth edition of the ongoing exhibition series KEEP IT GLASSY at the Shanghai Museum of Glass.
展览设计
破碎
BRKN
有人说，玻璃的宿命就是破碎。
但是正如本次新展览所要探索的——破碎，并不一定是消极含义：
它也可以拥有积极的内涵，并成为希望和初始的象征。
上海玻璃博物馆呈现的特展“破碎”（BRKN），以玻璃为出发点，将考察有限物质与无限观念之间的奇妙认知鸿沟。
作为“国际玻璃创意设计展”（Keep it Glassy）的第三个系列，本次展览将邀请观众以另一种视角去审视他们周围的世界以及玻璃这种材质。
继续阅读......
They say that it is the fate of glass to break. But as this new exhibition explores, breaking need not always be an act of destruction: it can also have positive connotations, and be a symbol of hope and new beginnings. Taking glass as its starting point, BRKN examines the fascinating cognitive divide between the physical and finite, and the enduring and conceptual. The third edition of exhibition series, ‘Keep it Glassy,’ BRKN invites visitors to take an alternative look at the world around them, and at glass in particular.
Read more...
展览设计
Keep it Glassy 2
“Keep it Glassy”国际创意玻璃设计展第二季，关注于设计师如何通过玻璃，诠释他们眼中的未来。那些引人入胜的设计背后的故事和独特的价值理念，展现了设计师如何利用玻璃的特性，塑造他们关于美好未来的无尽畅想。展览中，四个空间分别以“悦享-美好未来”，“承袭-捕捉回忆”，“存续-尽善尽美”，“革新-重塑明日”命名，呈现四种不同的视角，您也尽可以透过玻璃展望未来。
继续阅读......
For Keep it Glassy 2, the conscious choice was made to focus on displaying concepts or projects, instead of mere objects in glass. The intriguing stories and smart strategies that hide beyond the surface of the design pieces show that designers make use of the specific traits of glass to shape their ideas for a better future. In the exhibition, four rooms highlight four different angles that can be taken when envisioning the future, through glass: Adornment, Sustainability, Innovation and Preservation.
Read more...
展览设计
Keep it Glassy
或固态，或流体，或顺滑，或粗糙，或暗又或明，在“Keep it Glassy”中交融碰撞，使得整个展览更具有视觉体验性。超过两百件，来自20多个国家50多位设计师创作完成的设计作品，“Keep it Glassy”带给参观者一种全新的振奋人心的玻璃视觉体验。
继续阅读......
Solid and liquid, smooth and raw, and dark and light collide in ‘Keep it Glassy’, making the exhibition into an engaging visual experience. Combined with over 200 objects, created by more than 50 designers from more than 20 different countries, the exhibition gives the visitor a new and rich perspective on glass.
Read more...
Copyright © 2019 COORDINATION ASIA 协调, All rights reserved.
COORDINATION ASIA 协调
Unit 301 | No.121, Lane 1520, Huashan Road
Changning District
Shanghai, Shanghai 200052
China
+86 - 21 - 62760206
{{item.text_origin}}
