从森林和绿地中浮现的三座红斑岩丘陵是Verano地区的一道独特的风景线。“Knottnkino³”项目旨在通过环形步道和新建的休息区域使这三个岩层形成连接。
The three Knottn – red porphyry-hills – emerge suddenly from the forest- and meadow-landscape in Verano and lend the area its distinctive character. The circular hiking trail “Knottnkino³” connects these three rock formations with their newly created resting areas.
▼项目概览，overview ©Oliver Jaist
Rotstein岩层距离“Knottnkino³”步道最近，艺术家Franz Messner于2000年通过将该处地形切割为圆形，将岩层打造为一个有靠背的长椅休息区。圆形的长椅完美地融入到周围景观中。地面上的网状图案由艺术家Antoinette Bader设计，受到了风向图的启发。该圆形休息区被建于自然场地与步道之间，为人们提供了一个思考的空间，促进了人与自然的交流、过去与未来的对话。
▼Beimstein-Knott总平面图，Beimstein-Knott site plan
At the Rotstein-Knott – in the immediate vicinity of the “Knottnkino³” – conceptualized and created by the artist Franz Messner in the year 2000 – evolves through circular cuts in the terrain, an even, from the porphyry elaborated space with a bench and a backrest. The circular segments immerge into the landscape and dissolve. The only thing that remains on the surface are traces in the form of lines. A net of lines is the origin for the wind rose by the designer Antoinette Bader. A petroglyph cut in the even terrain of the porphyry at the intersection of context and intervention opens up a space for thoughts. Symbolically for the complex integration and positioning of the world the incomplete opens up a dialog between nature and man-made, between past and future.
▼Rotstein岩层概览，Rotstein-Knott overview ©Oliver Jaist
▼鸟瞰图，aerial view ©Oliver Jaist
▼圆形的长椅休息区，the circular resting area ©Oliver Jaist
▼促进人与自然的交流，a dialog between nature and man ©Oliver Jaist
▼岩层细部，details ©Oliver Jaist
▼地面上的网状图案的设计受到了风向图的启发， a net of lines is the origin for the wind rose ©Oliver Jaist
Beimstein岩层位于Verano村落的正上方，其迂回而美妙的景色令人心旷神怡。Attimo装置是根据已故艺术家Franz Messner的草图实现的。该装置由五个坐椅组成，其连线指向一条可以直达山顶的惊险路径。坐椅的连续排列方式创造了如缆车般的体验，供游客们俯望山下村庄景色，将Beimstein岩层与村庄以最短距离连接起来。
▼Beimstein岩层总平面图，Beimstein-Knott site plan ©Oliver Jaist
The Beimstein-Knott directly above Verano wins over through its circuitousness and the fabulous view. The installation‚ Attimo‘ was realized after the sketches of the late artist Franz Messner and consists in the arrangement of five chairlift seats alongside an imaginary and hazardous route directly over the rocky hill. With a spectacular view on the village the installation creates continuity of the cable car of Vöran and connects the village through a ‘Direttissima’ with the Beimstein-Knott.
▼Beimstein岩层概览，Beimstein-Knott overview ©Oliver Jaist
▼如缆车般可供游客们俯望山下村庄景色，the installation creates continuity of the cable car of Vöran ©Oliver Jaist
▼长椅，the bench ©Oliver Jaist
▼五个坐椅，five chairlift seats ©Oliver Jaist
▼坐椅，chairlift seats ©Oliver Jaist
三个岩层中海拔最低的是Timpfler岩层，这里充满着一种平静而近乎神秘的气氛。岩石同样被切割为圆形休息区，象征着永恒。从远处看，投射在场地上的光影形成了一幅美妙绝伦的画卷。场地中伫立着艺术家Micheal Fliri创作的雕塑——一只在山间游荡的狼。雕塑本身与它投下的影子构成了该作品的双重含义。雕塑中带着手套的两只手通过光影的作用在舞台上投射出狼的轮廓，正如手影艺术家用自己的两只手创造艺术作品那样。戏剧化的场景介入了这一神秘而古老的荒凉之地，使人类和动物之间的界限变得模糊。
▼Timpfler岩层总平面图，Timpfler Knott site plan ©Oliver Jaist
The lowest of the three rock formations – the Timpfler Knott – prevails a calm, almost mystical atmosphere. Circular incisions in the rock transform the terrain and create a rest area. The circle as symbol for the eternal is despite its fragmentariness comprehensible. From the distance the delicate drawings as a subtle landmark are made visible only through the shadow play. Micheal Fliri’s sculpture of a wolf takes part of this place – it wanders almost randomly across the rocky dome. The image has a twofold meaning – the sculpture and its shadow play. The symbiosis of two human hands, those of the artist, result in the shadow play as the silhouette of a wolf. The hands are caught in a glove – a costume – that only allows this condition. The frontiers between human and animal become blurred, theatrical stagings interfere with seemingly mystical and archaic tradition.
▼Timpfler岩层概览，Timpfler Knott overview ©Oliver Jaist
▼鸟瞰图，aerial view ©Oliver Jaist
▼圆形长椅和雕塑，circular bench and the sculpture ©Oliver Jaist
▼雕塑“一只在山间游荡的狼”，the wolf sculpture ©Oliver Jaist
▼圆形座椅，circular bench ©Oliver Jaist
▼岩层切割细部，details of the porphyry cuts ©Oliver Jaist
▼剖面图，section
▼结构细部，structure details
Artists: Antoinette Bader, Franz Messner, Michael Fliri Contractors: südtirol.stein, archplay Photography and video footage: Oliver Jaist, Messner Architects (construction site) Project Coordinator: Ulrike Vent Client: community of Verano supported by: EU Leader
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