America C-Glass Residential

设计方：Deegan Day Design

位置：美国

分类：居住建筑

内容：实景照片

设计团队：Joe Day, Taiyo Watanabe ,Yo Oshima, Noel Williams, Sonali Patel, Mark Lyons, Bonnie Solmssen, Felici

合作方：Dave Maynard Architecture

承包方：Ken Morita, Matt Curley

建筑公司：Morita Construction

图片：12张

摄影师：Taiyo Watanabe

这是由Deegan Day Design设计的C-Glass住宅，位于美国加州的狄龙海滩。该项目所在位置偏远，海岸风景优越，建筑以抽象的构成元素与周边严峻的自然环境相融合。客户曾帮助菲利普·约翰逊（Phillip Johnson）组织现代艺术博物馆（MoMA）密斯·凡·德·罗回顾展，因此该项目也呈现了一种高度的通透性，设计了一座开放性最大化、环境影响最小化的住宅。该住宅总建筑面积为2100平方英尺。该项目不仅整合了菲利普•约翰逊（Phillip Johnson）设计的玻璃住宅与密斯•凡•德•罗设计的范斯沃斯住宅，还吸收了加利福尼亚州其他优秀建筑设计的特色。

译者：筑龙网 艾比

Set on a remote site with sweeping coastal views, C-Glass House poses an abstract counterpoint to its daunting natural surroundings. Designed for a client who once helped Phillip Johnson mount a Mies van der Rohe retrospective at MoMA, the project is an exercise in high-performance transparency - a home of maximal exposure with minimal environmental impact.The C-Glass House is a 2100sf retreat in northern California. Set on a spectacular but periodically wind-swept site, the C-Glass House opens to a panoramic view of Tomales Bay and the open ocean, while bracing against winds that approach 100mph from multiple directions.

The design engages not only Philip Johnson’s Glass House and the Farnsworth House by Mies van der Rohe (the client helped translate texts for Mies’ 1972 retrospective at MoMA), but also the California legacies of Elwood, Koenig and others. In contrast to earlier ‘vitrines in a garden,’ west coast glass houses bias towards the environment, employing tactics of framing, cantilever and directional enclosure to heighten, as well as quantify, the beauty of their surroundings. C-Glass House brokers between the Leica-like precision of high modern glass houses and the cinematic wideframe of the Case Study generation.

Though its architectural lineage is self-evident, this glass house is as indebted to artists’ explorations of glazed enclosures as it is to the precedents of Johnson and Mies. Larry Bell’s elevated cubes and Dan Graham’s many pavilions capitalize more on the reflective and refractive ambiguities of the medium than its transparency, as do mirrored works by Gerhard Richter and the aquarium-like cages of Damien Hirst. The C-Glass House bridged between these ambitions in a new way, opening up to a panoramic vista but also modulating and reflecting back on architecture’s evolving role in the American landscape.

美国C-Glass住宅外部实景图

美国C-Glass住宅外部夜景实景图

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美国C-Glass住宅剖面图

美国C-Glass住宅平面图