Music is an art by which we can express our deepest feelings, emotions and thoughts. It is an art that can often bring memories which transport us in time to past experiences and places or spaces associated with those memories. On a global scale, we collectively and individually activate spaces around us through our physical presence and by reacting to the different experiences encountered throughout the space itself.
This experimental proposal is composed of small pavilions which activate the flow of people between one another and serve as a physical border for a larger and more central concert hall. Each pavilion is an individual system, not only by its internal circulation but also through its function and materiality, infrastructure and composition. Rotating panels are activated by the flow of people in and out of them, and a system of lighting changes occurs in response to the perceived noise level at at given time. The roof that houses the union of the pavilions, is comprised of a system of panels that opens and closes according to the conditions necessary for natural light and proper ventilation.
The intention of this proposal is not to be seen as formal composition of an architectural space, but rather as a series of experimental spaces that potentially lead to the discovery of methods by which to create a large shelter through the merging of a series of random scale parts
音乐是一门可以表达我们最深切感受，情绪以及思想的艺术。音乐将我们带入过去，让我们回忆过往。在全球范围内，我们通过个体自身的存在以及在空间中对所遇到的体验的反应来对个别空间进行激活。
在一个大型音乐中心的物理边界遍布一些激活人流以及提供服务的小亭子。每个亭子都是独立的，内部的交通，功能，重要性，基础设施以及构造都是完善的。旋转的面板能被进出的人流所激活。灯光系统能感受到噪声的变化并进行开启和关闭。屋顶的系统面板可以开启引进恰当的自然光照和通风。
这个设计并非力求完成一个正式的建筑空间，而是想要实现一系列试验空间，用它们找寻随机组合创建出大建筑的可能性方法。
Designer: Frisly Colop
Postgraduate Diploma, Studio Excessive
University of Applied Arts Vienna
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