BIG：度假酒店集团 NOT A HOTEL 在位于日本濑户内地区较为偏远的佐木岛（Sagi Island）上推出了一组令人惊艳的最新度假胜地概念，名为NOT A HOTEL 濑户内(Setouchi)，项目的选址占地 30,000 平方米，三座别墅、一座餐厅矗立在岛的西南角，尽享濑户内海的壮丽景致。项目整体风格汲取了丹麦和日本建筑风格的精确和简洁，反映了两种文化之间的共生关系，并希望引起两者之间的对话。酒店与佐木岛的群山相互交织，自然地融入了山脉之中，丰富的天然和当地材料的使用，强调建筑与自然的紧密联系。

BIG：Located on a 30,000 m2 site on Japan’s remote Sagi lsland, NOTA HOTEL Setouchi brings three villas, a restaurant to the island’s southwestern cape with panoramic views of the Seto Inland Sea. The luxury resort weaves naturally throughout the remote island’s mountains, incorporating natural and local materials while promoting a connection to nature.

▽分布在不同海拔高度的酒店鸟瞰 Bird ‘s-eye view of hotels at different altitudes

NOT A HOTEL 与 BIG 的合作开始于2022 年，濑户内(Setouchi)项目预计2024下半年破土动工，这是继BIG 酒店系列，如瑞士布拉苏丝的爱彼钟表酒店、加拿大沃勒巴克岛（Vollebak Island）以及瑞典拉普兰（Lapland）树顶酒店落地之后的又一个令人满怀期待的度假项目。

NOT A HOTEL濑户内项目的总体规划着眼于保护和恢复地形的自然起伏。在施工开始前，第一个任务就是清理草地，并重新栽培了橄榄树、柠檬树等一系列本土植物，进一步凸显场地的自然美感。三座别墅、一座餐厅（分别为”360″、”270″ 、 “180”和 “90 “，根据其位置和对应的景观命名）特意融入了地形的自然轮廓，并与现有的道路和基础设施相协调。由于度假别墅分布在不同的海拔高度，从远处看，宛如一条丝带般曲折延伸，穿越整个场地。

The collaboration between NOT A HOTEL and BIG began in 2022, and the Setouchi project is expected to break ground in the second half of 2024, following the BIG Hotel series. Such as the Audemars Watch Hotel in Brasse, Switzerland, Vollebak Island in Canada and the treetop hotel in Lapland, Sweden, after landing another highly anticipated holiday project.

The masterplan for NOTA HOTEL Setouchi prioritises restoration of the undulating terrain, where grass will be harvested before construction begins, while olive trees, lemon trees and other native vegetation will be reintroduced to further enhance the site’s natural beauty. The three villas – named ‘360,’‘270′ and ‘180’depending on location and corresponding views – intentionally blend into the landscape’s natural contours, aligning with existing roads and infrastructure. Spread across varying elevations, the resort appears like a ribbon winding through the site.

▽手工模型 Manual model

▽设计概念 Design concept

“在设计NOT A HOTEL濑户内时，我们并没有把某种设计理念强加于场地，而是通过探索、观察和理解地貌来推敲设计理念，设想我们该如何发挥这一独特而非凡的地形优势，确立体现日本传统建筑优雅之美的设计理念。

放眼全球，日本是少数几个还在坚守工艺传统并对品质严格要求的文化。可以说，诚实简洁的结构和精挑细选材料极大的影响了日本的传统建筑和丹麦的现代建筑。也许这就是为什么每当我踏上日本的土地时，都有一种回家的感觉。NOT A HOTEL濑户内将是一场实验，探索丹麦的简约风格与日本对细节和完美的追求之间的交融，两个国家的不同感性特质相互碰撞，或将激发出何种奇妙火花。“- BIG 创始人兼创意总监 Bjarke Ingels

“Our design approach for NOTA HOTEL Setouchi wasn’t about imposing our ideas on the site; instead, it involved exploring, observing and understanding the landscape. We envisioned how to best leverage this distinctive and remarkable terrain and fixed upon a design that mirrors the elegance of traditional Japanese architecture.

Japan is one of the cultures in the world where commitment to craft and care for quality remains intact. The honesty and simplicity of the structure and careful choice of materials can be said to have greatly influenced the traditional architecture of Japan and the modern architecture of Denmark. Maybe that’s why when I go to Japan, I always feel like I’m coming home. NOTA HOTEL Setouchi will be an experiment in what happens when the sensibilities of both countries come together – the Danish desire for simplicity and the care and perfection of Japan.”— BJARKE INGELS, FOUNDER & CREATIVE DIRECTOR, BIG

▽设计单体 Design Unit

每座别墅都独具新意，与其所处之地以及具体环境相得益彰。所有别墅都设有传统的日式浴池，有着宁静的色调，室外火盆和温水无边际泳池，模糊了建筑与周围自然的界限。单体建筑延续了日本传统的低层高设计，同时辅以天窗增加采光，保持开放性与私密性的平衡。

“270 “别墅有着270度群岛景观，其设计巧妙的在泳池周围设置了漂浮岛般的沐浴空间，还设有桑拿房和露天火盆。

Each villa has distinct design characteristics that fit into their specific location onsite. The villas all feature traditional Japanese baths, calming colour palettes, outdoor firepits and heated infinity pools that blur the boundaries between the properties and the surrounding nature. The single building continues the traditional Japanese low-rise design, Skylights are placed atop these more private pods to provide views from any point within the buildings – balancing openness with solitude.

‘270′ captures a 270- degree panorama of the surrounding archipelago, featuring bathing spaces arranged like floating islands around the pool alongside a sauna and open firepit.

▽”270 “别墅 ‘270′ captures

▽中庭泳池 Atrium swimming pool

而位于半岛顶端的 “180 “别墅则离海最近，其曲线设计与海岸线相吻合。住宅中央设有庭院，其中布置有缓坡、铺满青苔的小径和颜色随季而变的树木。

At the peninsula’s tip,‘180’ is the closest to the sea, whose curvature follows the coastal landscape. The home includes an inner courtyard with gentle slopes, mossy pathways and trees that change colour with the seasons.

▽临近海边的”180 “别墅 Villa “180 “near the sea

天窗被巧妙地安置在这些更具私密性空间的顶部，使得从建筑内的任何位置都能欣赏到美景，在开放性与私密性之间取得了完美平衡。

Skylights are placed atop these more private pods to provide views from any point within the buildings – balancing openness with solitude.

▽中央庭院 Central courtyard

这几座三到四居室的别墅融合了日本传统单层房屋的设计理念，采用了日本当地的材料。在保留了日式建筑元素的同时，根据用途进行了现代化的重新演绎，使得外墙、屋顶、墙壁和地板等基本要素兼具传统与现代的魅力。

The three- and four-bedroom villas reference the design of traditional Japanese single-story houses, incorporating materials local to Japan. The essential elements of the homes – the facade, roof, walls and floor – all preserve traditional Japanese architectural elements while being reimagined for modern-day use.

▽传统元素的保留与现代手法的设计演绎 The preservation of traditional elements and modern design interpretation

▽舒适的海岸住宅 Comfortable shore home

“濑户内地区以其茂密壮观的群岛景观而闻名，山峦起伏，轮廓优美。我们的设计方法在于优化这片群岛的广袤全景，同时通过最少的建筑干预，创造出亲密而私密的时刻。NOT A HOTEL 濑户内融合了 BIG 和丹麦现代建筑的精髓，也同时从NOT A HOTEL 的 DNA 和日本传统文化中汲取了灵感。”- Ryohei Koike, BIG主创建筑师

“Setouchi comprises a dense and dramatic archipelago, characterized by beautiful undulating silhouettes of mountainous islands. Our approach for this design aims to simultaneously expand and enhance the vast panoramic views of the archipelago while creating moments of intimacy and privacy through minimal architectural interventions. NOTA HOTEL Setouchi fuses, the essence of BIG and modern Danish architecture with the DNA of NOT A HOTEL and traditional Japanese culture.”— RYOHEI KOIKE – ASSOCIATE, BIG

▽无边际泳池 Infinity pool

▽通透的玻璃外墙，将室外的景观带入到室内 The transparent glass exterior wall brings the outdoor landscape into the interior

环形的 “360 “别墅坐落于海拔最高处，提供了360度全景式的濑户内陆地景观和海洋景观，而中央庭院的设计则为居住者提供了隐私保障。

The ring-shaped ‘360’ is perched at the highest altitude, offering literal 360-degree views of Setouchi’s land and seascape with a central courtyard for privacy.

▽环形”360 “别墅 Circular “360 “Villa

▽中央庭院 Central courtyard

每栋别墅都面向一个宽敞的开放空间，而浴室和储藏室等私密性或功能性区域则被整合成独立的体量或单元。

Each villa opens into a large, unified space, with areas of functionality such as bathrooms and storage rooms consolidated into separate volumes, or pods.

“在过去的几十年里，日本一直以其精妙绝伦的自然景观、高端的设计、富于创新的建筑和前沿艺术而备受瞩目。而现在，在濑户内海地区，NOT A HOTEL 集合了日本独特的自然景观和人文资源。我们与 BIG 进行合作，在佐木岛上打造日本最奢华的别墅，向更多人打开通往濑户内海地区的魅力之门，让人们尽情领略这片风景的独特之美。” Shinji Hamauzu, NOT A HOTEL的CEO及创始人

19世纪初，随着日本向国际旅行者开放边境，斯堪的纳维亚设计与日本设计渊源由此展开。不久以后，斯堪的纳维亚的设计师开始纷纷涌向日本，被日式风格的简洁、对天然材料的推崇以及与自然融合的理念所吸引。这些特质恰好契合了NOT A HOTEL濑户内所倡导的设计理念。

“In the last few decades, Japan has been attracting attention as a place to experience stunning natural landscapes as well as high-end design, innovative architecture, and cutting-edge art. The Seto Inland Sea area, where NOT A HOTEL SETOUCHI will be built, brings together all of these aspects of Japanese tourism into a single site. In partnering with BIG, we are creating one of Japan’s most luxurious villas on Sagi Island, which will be a gateway for more people to experience the charm of the Setouchi region.”— SHINJI HAMAUZU, CEO & FOUNDER, NOT A HOTEL

The relationship between Scandinavian and Japanese design began in the 19th century, when Japan opened their borders to international travellers. Soon after, Scandinavian designers began visiting the country and quickly became fascinated by the Japanese style for its simplicity, use of natural materials and connection to nature – the same principles that guided the design ethos for NOT A HOTEL Setouchi.

▽直角”90 “餐厅 Right Angle “90 “restaurant

项目名称：NOT A HOTEL 濑户内

规模：2,350 m2

地点：日本濑户内

客户：NOT A HOTEL

合作方：Maeda Corporation, ARUP Japan, 1moku, NOSIGHT, BOCS, Mir, LIT design

主管合伙人：Bjarke Ingels, Leon Rost

项目负责人：Ryohei Koike

项目经理：Yu Inamoto

项目建筑师：Mamoru Hoshi, Casey Tucker

团队：Andrea Hektor, Christina Papadopoulou, Cullen Yoshihiko Fu, Don Chen, Jan Leenknegt, Jasmine Nicholson, Jeremy Felson, Joanna Lesna, Konstantinos Koutsoupakis, Margaret Tyrpa, Matthew Lau, Naysan John Foroudi, Oskar Alfred Maly, Paul Heberle, Pavel Tomek, Sang Ha Jung, Steven Op, Suyue Huo, Théo Hamy

Project name: NOT A HOTEL

Scale: 2,350 m2

Location: Setouchi, Japan

Guest: NOT A HOTEL

Partners: Maeda Corporation, ARUP Japan, 1moku, NOSIGHT, BOCS, Mir, LIT design

Managing Partner: Bjarke Ingels, Leon Rost

Project Leader: Ryohei Koike

Project Manager: Yu Inamoto

Project Architects: Mamoru Hoshi, Casey Tucker

Team: Andrea Hektor, Christina Papadopoulou, Cullen Yoshihiko Fu, Don Chen, Jan Leenknegt, Jasmine Nicholson, Jeremy Felson, Joanna Lesna, Konstantinos Koutsoupakis, Margaret Tyrpa, Matthew Lau, Naysan John Foroudi, Oskar Alfred Maly, Paul Heberle, Pavel Tomek, Sang Ha Jung, Steven Op, Suyue Huo, Theo Hamy

“ 设计强调与环境的紧密联系，以自然地融入和最少的干预，构建亲密而私密的空间布局，塑造一个远离喧嚣的海岛旅游胜地。”