畢加索酒吧 | 賽博朋克風格的未來探索_娱乐空间_设计案例作品

发布时间：2021-07-23 02:49:14 {{ caseViews }} {{ caseCollects }}

设计亮点

賽博朋克風格的運用和對未來的探索，創造出一個反烏托邦的空間。

「敵視現實，虛構遠方。」「Hostile to reality, fictitious distance.」

項目名稱 / 中國·畢加索酒吧 Project Name/ Picasso bar, China.

項目區位 / 中國·保定 Project location / Baoding, China.

項目面積/ 1000㎡

Project area/1000㎡

室內設計 / 大腦殼設計事務所

Interiordesigner /B.S.D.o

主創設計師 /李克圓，李佳

Chief Designer / Eleven，Li Jia

設計助理/耿嘉懿，苑賽

Design Assistant /Geng Jiayi，yuansai

未來沒有孤獨。

There is no loneliness in the future。

“我所關心的主要問題是：何謂真實？我甚至質疑這個宇宙，我想知道是否它是真實的，我想知道是否我們都是真實的！”迪克常將筆下人物放進虛構的世界，一個被他質疑其構建和制度的世界。這些故事看似荒謬的幻想，角色們發現他們每天生活的世界是個假像，產生自外部的實質世界。所有他的著作都建立在“沒有一個單獨、客觀存在的真實”這個基本假設。

My main concern is: what is truth? I even question the universe, I want to know if it is real, I want to know if we are all real! Dick often put his characters into a fictional world, a world in which he questioned his construction and system. These stories seem absurd fantasies. The characters find that the world they live in every day is a false image, which comes from the external real world. All his works are based on the basic assumption that there is no single, objective reality.

賽博朋克的情節通常圍繞黑客、人工智能及大型企業之間的矛盾而展開，背景設在不遠的將來的一個反烏托邦地球，而不是早期賽博朋克的外太空。它實際上標誌著針對以往科幻小說不註重信息技術的具體設定的缺點的改善和進步。

Cyberpunk’s plot is usually centered on the contradictions between hackers, AI and large businesses, set in a future anti-Utopian earth not in the early cyberspace of cyberpunk. It actually marks the improvement and progress of the shortcomings of the previous science fiction that did not pay attention to the specific setting of information technology.