© Hirouyki Oki

.Hirouyki Oki

架构师提供的文本描述。在空间质量上有反复出现的印象这些感觉是通过一个令人耳目一新的概念带给沿海城市防头的，一个4口之家的欢迎，他们热爱大自然的清新。随着与自然的不断互动，人类和树木变得更加亲密；空间被打开，但保持了个体的隐私。这是一个令人望而生畏的问题，即居住在空间狭小和污染严重的大都市地区。

Text description provided by the architects. There are reoccurring impressions on the spatial quality – the green of nature struck the eyes every early morning, the rustling of leaves each night. These sensations are brought to the coastal city of Vung Tau through a refreshing concept, a welcoming home for a family of 4 who love the freshness of nature. With constant interactions with nature, man and trees become more intimate; space is opened up but maintains privacy of individuals. This is the daunting problem of living in metropolitan area with cramped space and pollution.

© Hirouyki Oki

.Hirouyki Oki

“抽屉屋”是一个单层，位于470平方米的土地上，有60%的土地用于景观。这60%是通过分区创造性地安排的，这样自然就不会消失。剩下的180平方米，建筑师把它划分为“抽屉”，其中包含功能空间，同时在两者之间插入“景观抽屉”。这些“抽屉”是在同一方向上排列，但通过创建交替隔断；居民有一种不均匀放置房间的印象。就像抽屉被随机拉出来一样，建筑师们希望房客和自然混合在一起，没有任何明显的意图。当客户居住在这个空间内时，在不同的房间会有不同的感觉，因为不断变化的坚实-空虚，光明-黑暗。

“The Drawer House” is a single – story located on a 470 square meters piece of land with a dedicated 60% of land usage for landscape. That 60% is creatively arranged through partitions so that nature is never out sight. With the remaining 180 square meters, the architects divided it into “drawers” containing functional spaces, at the same time insert in between them “drawers of landscape”. These “drawers” are aligned on the same direction, however by creating alternating partitions; dwellers have an impression of unevenly put rooms. Just as drawers being pulled in and out randomly, the architects hope the tenants and nature intermingle without any obvious intention. Clients when live inside the space will have different sensations at different rooms because of continuous altering of solidity – emptiness, brightness – darkness.

© Hirouyki Oki

.Hirouyki Oki

Floor Plan

© Hirouyki Oki

.Hirouyki Oki

“抽屉”是由延长的走廊连接整个项目的整个长度，装饰的新娘面纱令人耳目一新。这种将绿色区域分配为自然盲人的方法，减少了强烈的热带阳光，并产生了有趣的模式，随着太阳在白天的移动而变化。

“Drawers” is connected by elongated hallway going throughout the entire length of the project, decorated by refreshing line of Bridal Veil Creepers. This method of allocating green zone as a natural blind reducing the intense tropical sunlight as well as generate intriguing patterns which change as the sun moves during the day.

© Hirouyki Oki

.Hirouyki Oki

当分区结束时，中间的花园创造隐私，同时作为过渡到下一个空间。阳光穿过，层层叠叠的影子落在地板上，形成迷人的景色。内部和外部的界限正在缩小，让人感觉到自然的波动。通过打开和关闭“抽屉”，容纳更好的通风，从而降低整个生活空间。整个房子都是一个活生生的身体，它的使命是把人和人、人和自然联系起来。

As the partition finishes, the in between gardens creating privacy while act as transition to the next space. The sunlight passing through, cascading shadow onto the floor forming captivating views. The boundary between the interior and exterior is being diminished, letting man sense the fluctuations of nature. By opening up and closing down “drawers”, accommodate better ventilation, hence cooing down the entire living space. The entire house acts as a living body, with a mission to connect man with man and man with nature.

MIA设计工作室的设计思想是最大限度地利用自然光、风和花园的功能空间之间的联系，同时仍然保护每个单独房间的隐私。本着“抽屉屋”的理念，用最少而有效的材料，构建街区、和谐的空间，用适当的方法创造出一个具有自然气息的工程，为使用者创造出最佳的生活质量。

The ideology behind the design of MIA DESIGN STUDIO is to maximizing the connection between functional spaces with natural light, wind and gardens while still preserve the privacy for each individual rooms. With the philosophy in mind, the concept for “The Drawers House” of constructing blocks, harmonious space, using minimal but effective materials, produce a project carrying the breath of nature with suitable methods in order to bring out the best quality of life for users.

© Hirouyki Oki

.Hirouyki Oki

Architects MIA Design Studio

Location Vũng Tàu, Vietnam

Category Houses

Architect in Charge Nguyen Hoang Manh

Area 470.0 m2

Project Year 2016

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