Reliquia Collective的精神是庆祝并享受美丽、快乐的物品带来的乐趣。设计理念的重点是构思一个Reliquia Collective宇宙；为这个集体中的多个品牌打造一个定制的家。
The Reliquia Collective spirit celebrates and relishes in the pleasure of beautiful, joyful objects. The design concept focussed on conceptualising a Reliquia Collective universe; crafting a bespoke home for the multiple brands that sit within the collective.
从美学角度来看，这家商店将与产品本身的活力和多样性相匹配。在为期12个月的租约中，设计团队对租赁的固定基础建筑元素采用了轻触的方法，Pattern Studio策划了设计师作品和定制零售元素的组合;有趣的碰撞颜色和汇集高度触觉的材料调色板，创造一个感觉周到和高度定制的空间。Kvadrat品牌的Margrethe Odgaard面料制成的一面微微起伏的墙壁提供了一个低调的背景，在此背景下，色彩缤纷、图案丰富的Blanca服装闪闪发光。
Aesthetically the store would match the vibrancy and diversity of the product itself. A twelve-month lease saw the design team adopt a light touch approach to the tenancy’s fixed, base-building elements;Pattern Studio curated a mix of designer pieces and bespoke retail elements; playfully clashing colours and bringing together highly tactile material palette to create a space which feels considered and highly bespoke. A gently undulating wall of Kvadrat’s Margrethe Odgaard fabric offers an understated backdrop to against which the colourful and patterned Blanca garments shine.
这家店的试衣间被一片片淡紫色的面料包围着;其结果是一个既平静又奢华的空间。 有趣的添加物包括由 Chabrieres & Co c.1970 年代法国生产的雕塑 Roger Lecal “口红”镜子，以及用 Alexander Girard 标志性的 1965 格纹织物软垫的脚凳。 装饰有光泽的番茄红色 POS 柜台是由悉尼艺术家 Jordan Fleming 设计的雕塑灯具。 作品以荧光黄漆完成，醒目而欢乐； 从街上可以看到一个引人注目且令人愉快的灯塔。
The store’s fitting room is coccooned in swathes of the lilac fabric; the result is a space which feels both calming and luxurious. Playful additions include a sculptural Roger Lecal ‘Lipstick’ mirror produced by Chabrieres & Co c.1970s France as well as an ottoman upholstered in Alexander Girard’s iconic 1965 Checker fabric. Adorning the glossy, tomato-red POS counter is a sculptural light fitting by Sydney-based artist Jordan Fleming. Finished in fluorescent yellow paint the work is striking and joyful; an eye-catching and delightful beacon visible from the street.
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