斜屋 | 绿色景观与简约美学的完美融合_家装空间_设计案例作品

发布时间：2017-10-11 01:24:10 {{ caseViews }} {{ caseCollects }}

设计亮点

将室内外空间融为一体，打造自然与建筑和谐共存的绿洲。

架构师提供的文本描述。简单的美学，最小的材料调色板和与自然的联系是斜屋设计的主要驱动力，这是建筑师通过他的事务所拉格姆工作室首次亮相。这座独立的11，000平方英尺的别墅试图在苏拉特典型的城市环境中创造一片宁静的绿洲，通过一个与这一类型学的典型规划相背离的计划。

Text description provided by the architects. Simple aesthetics, a minimal material palette and connections to nature are the main drivers of the design of the Skewed House, the architect’s debut through his firm Studio Lagom. The standalone 11,000-square-foot villa seeks to create an oasis of serenity in Surat’s typical urban milieu through a programme that departs from the typical planning of this typology.

Second Floor Plan

二层平面图

建筑师把“街边的结构和花园到后面”的方案颠倒过来，把平房设置在高架花园的后面。它不是一堵令人望而生畏的堡垒式的复合墙，而是一座有趣的高地，里面有瓦尔萨迪柚木(Valsadi Teak)的装饰，被爬行者的级联软化，引起过路人的兴趣。除此之外，还有一个坡道-直接带你去花园-夹在这条带板条的外边界墙和家里的挡土墙之间，中间有一堵混凝土墙。

The architect reversed the ‘structure on the streetside and garden to the rear’ scheme, by setting the bungalow back, beyond an elevated garden. Rather than a forbidding, fortress-like compound wall, an interesting elevation involving Valsadi teak battens, softened by cascades of creepers, intrigue the passers-by. Beyond this, is a ramp -- which takes you directly to the garden -- sandwiched between this slatted outer boundary wall and the retaining wall of the home with an intermediary concrete wall.

这一想法是为了创造一种类似的旅程，一种严格的巡视方式，最终将游客“释放”到花园里。另一个入口，即“正常”的大门，也采用同样的收缩和解放策略，通过一个小的入口大厅将主要的居住空间屏蔽，使其不被直接看到。别墅的空间规划和地块的分区也是由城市有时经历的突如其来的洪水所决定的。地面专门用于连接松驰和松开的附属空间。在这上面有着杂乱无章的生活-餐厅、厨房、卧室和前面的花园，后面还有更多的卧室，再往上爬。

The idea was to create a journey of sorts, a constricted perambulatory approach that finally ‘releases’ the visitor into the garden. The other access point, which is the ‘normal’ main door, also uses the same strategy of constriction and liberation, via a small entrance lobby that shields the main living space from direct view. The spatial programme of the villa and the zoning of the plot were also dictated by the sudden floods that the city sometimes experiences. The ground level is devoted to ancillary spaces connected to relaxation and unwinding. Atop this lies the sprawl of the living-dining, kitchen, a bedroom and the garden in the front, followed by more bedrooms, up another level.

Longitudinal Section 1

纵向第1节

倾斜的房子在形式和物质上消除了多余的东西。从高度上讲，立面设计和后退战略，重要的领域，如主卧室强调通过悬臂和材料发挥。虽然混凝土是首选材料，但白灰泥、石材和木料已被用来磨炼其可怕的制度风度。建筑师对摄影的浓厚兴趣帮助他把这个项目想象成一系列相互关联的远景，同时也是倾斜房屋的“偏斜”的原因。微妙地表现为元素稍微偏离直线，这是一个创造远景和视角，为三维物体增加更多生命的练习。

The Skewed House does away with excess in form and materiality. Elevationally speaking, the façade projects and recedes strategically, with important areas such as the master bedroom being emphasized through cantilevering and material play. Though concrete was the material of choice, white plaster, stone and wood have been used to temper its formidable, institutional demeanor. The architect’s deep interest in photography helped him visualize this project as a series of interconnected vistas, and was also responsible for the ‘skewedness’ of Skewed House. Manifested subtly as elements shifted slightly off the straight line, this was an exercise in creating vistas and perspectives and adding more life to a three-dimensional object.

客户要求连接从上到下，天窗，一个独特的身份，敬拜区，自然，并发挥光和阴影通知空间布局。分层的生活餐厅面积很大，有一部分是下沉的，而餐厅则是高架的.靠近入口处的是双高的普加塔，由一个喷水口所预示，并设置在一个水体内。客厅对面是一个沉陷的庭院，有更多的座位。这些口袋的座位，具有不同的配置，让人们有更多的自由使用空间，根据他们的选择。一个巨大的卡兰卡利灵感的艺术作品在微妙的灰色优雅楼梯墙，是其中一个设计亮点的这一空间。

The client’s request for connections from top to bottom, skylights, a distinct identity for the worship area, nature, and a play of light and shadow inform the spatial layout. The split-level living-dining area is extensive, with a living part being sunken and the dining elevated. Close to the entrance is the double-height pooja-tower, heralded by a water-spout and set within a waterbody. Opposite the living area is a sunken courtyard with more seating. These pockets of seating, with various configurations, allow people more freedom to use the space as per their choice. An enormous Kalamkari-inspired artwork in subtle grey graces the staircase wall and is one of the design highlights of this space.

Cross Sections

交差截面

这些房子通过适当的开窗与大自然建立了牢固的联系。例如，普加塔后面的L形玻璃镶嵌物吸引了周围的绿色植物，并在视觉上将室内水体与外部荷塘连接起来。同样地，主卧室9英尺的悬臂也被勾勒在玻璃上，邀请阳光和天空的碎片进入太空。此外，从百叶窗的门窗在这个水平上的看法是地毯上的花朵和密集的闪耀的叶子在花园里。

The houses established strong connections to nature with the help of suitable fenestration. For instance, the L-shaped glass inset behind the pooja tower invites the surrounding greenery in and connects the interior waterbody with the external lotus pond visually. Similarly, the nine-foot cantilever of the master bedroom is outlined in the glass, to invite slivers of sunlight and the sky into space. Also, the views from the louvered doors and windows on this level are carpeted with the blossoms and the dense shining foliage of the frangipanis in the garden.

这座倾斜的房子的大部分轻松氛围可以归因于它的绿色景观，发达的“根设计”(RootsDesignes)。草坪有一个截面轮廓(一种类似于康德的下陷中央部分)，受到瓦拉纳西和乌贾因的启发。通过将露台的地板图案延伸到孔雀中，增加了一个艺术维度。对建筑师来说，这座房子代表了几个信念的坚定：每一栋建筑都是独特的，因为它的使用者、设置、功能等等；如果你足够关心，你将提供质量；没有任何东西可以代替自然；建筑可以利用每一种材料的固有美，在越来越少的东西之间创造适当的平衡。

Much of the relaxed ambiance of the Skewed House can be attributed to its substantial greenscape, developed Roots Designs. The lawn has a sectional profile (a kund-like sunken central portion) and has been inspired by the ghats of Varanasi and Ujjain. An artistic dimension was added by extending the floor pattern of the gazebo into the kund. For the architect, this house represents the firming up of several convictions: that each building is unique by way of its users, setting, function, and more; that you will deliver quality if you care enough; that there is no substitute for nature; and that architecture can leverage the innate beauty of every material, by creating the right balance between less and more.