他不在书中找黄金屋，他找藏宝图——NONGSTUDIO南苏州河1908粮仓工作室寻宝。

Instead of GoldHouse, He Looks for the Treasure Map in Books

—— Seeking Treasures at NONG STUDIO, A Granary Studio at No. 1908, SouthSuzhou River

老上海们在追根溯源时，往往先想到的是苏州河。苏州河畔的工业建筑见证了租界的兴亡起落和民族工业的诞生发展。南苏州河1247号曾经也是杜月笙老大的私人粮仓，而后随着杜老大创办“中国通商银行”，这里又成为银行仓库重地。如今已经由旅意设计师汪昶行修复一新，举重若轻地还原了历史感和建筑原有的完整性。

如果说外部建筑端的是一派沉稳大气，而其位于粮仓二楼的工作室则是一派摩登诙谐。曲径通幽的一扇小黑门打开是豁然开朗的调搞4米5的粮仓空间，裸露了原粮仓的木梁木柱木收藏架主导空间。一面是首先撞入视线的通高金色不锈钢书架，里面收藏了汪昶行的书籍和各国旅游带回的古董，玩具，设计品，乐高绝版模型；另一面收藏架可以说是一部现代工业设计史，满墙的VITRA大师椅缩小版，限量的车模和艺术品。

当你走进这样一个空间，即使设计再惊艳也退到了内容后面，参观者不由地被他的收藏吸引，听他娓娓道来游历各国的经历，这些藏品的来源历史，然后跃跃欲试地上前摸索两把。每个人都只惦记这些珠子，忘记那个华丽丽的壳子了。

在时尚与传统之间游刃有余的汪昶行，认为创意不是一种工作，而是一种生活方式。对于设计他把玩无聊的空间，对于生活，他追求有趣的体验。他痴迷于收藏各种古董家具设计品，灵感来源于此，然后在复古的设计中加入一些超尺度的元素，沉浸在自由的创作游戏之中。

所以你看到的这面书架，隔着两本是一只黑川雅之的铁壶，再隔一个格子是索得萨斯的限量版书架；下面一层也许是国家地理杂志30周年限量的套装书，旁边却放着从美国古董店淘的VINTAGE望远镜…

“每个人都应该有属于自己的美学空间，那里面有自己心头所爱的把玩之物”。设计无非是在玩弄，以如此轻松戏虐地方式优雅地呈现空间，“弄设计”的确驾轻就熟。

在这样一个充斥着梦想和故事的黄金屋里，我们似乎察觉到我们已经太久禁锢住自己，太久不懂怎么去玩，如何去玩。

当设计能够讲述一个人的生活和经历，这早已不是一个时髦的成品，而是在追求情感的本质。

As soon as the Shanghainese seek the root, Suzhou River often comes into their thoughts. The industrial buildings by Suzhou River have witnessed the rise and fall of Concession, as well as the emergence and growth of national industry. Started as a private granary of the triad boss Du Yuesheng, No. 1247 South Suzhou River then turned into a critical location of bank warehouse when Du established the “Imperial Bank of China”, and afterwards with the repair by Chasing Wang — a visiting designer to Italy, it now re-exhibits the intangible sense of history and original integrity of the building in a new and touchable shape.

Compared with the solemnity of the external building, the studio at the second floor of the granary embodies a modern and humorous sense. There, behind the winding path end’s little black door, is a light and spacious granary, the main space with the ceiling as high as 4.5 meters, and the original wooden beams, columns and collection shelves bare. On the one side, the golden stainless steel bookshelf with the height the same with ceiling leaps to the eyes, which collects books of Chasing Wang and antiques, toys, design products and out-of-print LEGO models he took home from overseas tour. While on the other side, the collection shelf almost bears the history of modern industrial design, where the mini-version of VITRA master chair, limited car models and artworks fill the whole wall. When you walk into such a space, no matter how remarkable the design is, it would be second to the content. Visitors could not help to be attracted to his collections, listen to his traveling experiences around the world and the sources of these collections, and then be eager to touch and feel. Everyone is totally concerned about these beads, forgetting that gorgeous shell.

Switching skillfully between the vogue and tradition, Chasing Wang insists that creativity should be a lifestyle rather than a job. For design, he plays with the boring space; for life, he pursues interesting experience. He is obsessed with collecting all kinds of antique furniture designs, and inspired by those, he then adds certain super-scale elements in the retro design. He is so immersed in the game of free creation. So you see this bookshelf, an iron pot by Masayuki Kurokawa is after two books, and then separated by a lattice is the limited edition bookshelf of Sottsass; the next layer may be the limited edition set of books for the 30 anniversary of National Geographic Magazine, with a vintage telescope shopped from an American antique store next to it. ……Pointing to this, he said, "I often pretend to watch the distant, and call my mother who lives next door, telling a little lie that the color of her skirt today looks funny." "Everyone should have their own aesthetic space, where there are favorites they tend to play with." Design is nothing more than playing, and as for elegantly showing the space in such a relaxed way, NONGDESIGN is totally skilled at.

As we are confused by the so-called "style" and "material", the original impulse of design seems to be increasingly thin. In such a gold house full of dreams and stories, we seem to notice that we have been imprisoned for too long, failed to play and failed to how to play for too long. As soon as the design tells a person’s life and experience, it is no longer a fashionable product, but the pursuing of emotion nature.

NONG STUDIO的入口，有意将入口做成先抑后扬的黑色色调

随着感应门的打开，带你穿越到NONG STUDIO的神奇室内空间中...

4.5m的层高与120年之久的木结构梁板柱首先映入眼帘...

一条金色的光带，将空间营造出丰富的层次，金色梯子可以随着腰带随意移动，白色烤漆立面顶部镜面的处理很好的缓解了原有空间的压抑感

用玻璃围合而成的洽谈室及大理石审图桌

概念来源于“书中自有黄金屋”设计而成的书架，放满了设计师来自全世界各地的收藏

顶面定制的工业风的空调风口，与老厂房气场相得益彰

洽谈室内整个一面4M通高的展示柜，放满了VITRA等全世界各地收来的设计品。

利用层高的优势，搭建出来的夹层，作为会议室使用

夹层的会议室，地毯也是设计师本人量身定制，与入口的地毯相呼应

大理石桌，配合yabu设计的吧台椅

此处暗藏玄机，公司的材料柜就放在这一个个抽拉的柜体后面，非常实用的储物空间

黑川雅之的铁壶及日本法隆寺1/50全木质手工模型

TOM DIXON红铜文具系列

NONG STUDIO黄铜LOGO与大理石镶嵌

MAGIS playful转椅

汪昶行的复古自行车，据说是普京平时的坐骑

奈良美智限量版狗狗音响

弄设计NONGSTUDIO，2015年成立于上海及米兰，是一家由中国及意大利设计师共同跨界组成的综合设计事务所，主要业务包括高端室内、建筑改造、产品及平面设计，致力于高端精品项目的品牌策划与设计服务。

弄，把玩。载弄之璋，载弄之瓦。既然人生下来就会弄玉弄瓦，设计于本能就是应该信手拈来，哪里来那么多的确定和限制？官的玩弄权术，执笔的舞弄文墨，不论富贵清贫，弄得出韵致，都是高人。我们有的生在上海里弄，有的来自威尼斯小巷，一中一西，本就带着差异和冲突，能够走到一起，无非是找到了好玩的人，共赴好玩的事。理应抛掉人云亦云的审美惰性，将跨界游戏玩得任性。弄设计，玩设计，没有什么是配不在一起的，没有什么是不可以蒙太奇的。我们可以矜持可以戏虐，可以高歌可以低吟，可以戎马可以抚琴，游走设计与艺术的边缘，没有确定性只有可能性。

把玩无聊的空间，共赴有趣的盛宴。

公司地址：上海市黄浦区南苏州路1247号2F