The New Waterfront of Thessaloniki is a linear place with limited depth and great length, with the characteristics of a “front”, a thin layer inserted in the limit between land and sea. The project consists of a long walk along the waterfront and 12 green spaces.

In 2000, the Municipality of Thessaloniki launched an International Architectural Competition for the redevelopment of the New Waterfront of the city and in 2006 the construction of the first prize began. The New Waterfront is realized in two phases. The construction of the first part (around 75800m2) was completed in 2008 and the construction of the second part (around 163000m2) started in 2011 and ended in 2014. The total length of the New Waterfront is 3,5km.

The basic purpose was the complete approach of the topic, aiming at proposed interventions that present continuity and coherence and at the same time contribute to the regeneration of the ecosystem at the borderline between sea and city.

For the New Waterfront, two major characteristic areas are distinguished, which set the principles for the basic choices of the project.

The walk, right above the limit between land and sea, is an ideal place for walking, without interruptions and distractions.

The paving of the coast, from the White Tower to the Concert Hall, is handled unitedly and equally, without hierarchies and alterations to its width. A cast floor is constructed along the waterfront length and all its width, wherever hard floor . The floor is differentiated at the ending of the breakwater towards the sea by using a wooden deck of bangkirai.

In the inner side of the breakwater, the alternative of a shaded walk is offered. This walk with the proposed sitting-rooms among the trees, is particularly useful during the summer months as an intermediate limit-filter between the two discrete parts of the coast front: the paving and the green zone.

At the opposite side of the linear route, 12 green spaces are formed at the inner side, as a succession of “green rooms – gardens”, each with a special thematic characteristic. It’s not about big “parks”, but “rooms” of small size that remind of the house gardens that existed in the area and reached the natural seashore, before the landfill of the coast. The gardens are protected spaces and have their own introversion. The differentiation, the possibility of visual isolation, the shading, the surprise, the discovery or the reveal of the different, the game, the soft floors, the green: the gardens follow different ways of synthetic language, glorifying the familiar and the private, creating new collective spaces in a local scale.

The names of the gardens are successively: Garden of Alexander, Garden of the Afternoon Sun, Garden of Sand, Garden of the Seasons, Garden of Odysseas Fokas, Garden of Mediterranean, Garden of the Sculpture, Garden of Sound, Garden of Roses, Garden of Memory, Garden of Water and Garden of Music.

The main objective of the intervention was to offer the citizens a new landscape that could provide them with safe, well-planned, interesting, modern, multifunctional public spaces of high aesthetics. It was also to create a public space for all, to provide new services, alternative choices and to provoke the creation of new habits. Every part of the New Waterfront is accessible by all citizens. There has been provision for special needs and abilities, for example there are ramps, signs, playgrounds suitable for all children, a bicycle route, a special route for the blind, etc. As a result, the New Waterfront has areas with very different characteristics, which all complete a multifaceted image.

The redevelopment offered people a new urban open space near water with multiple functions. People embraced it, created new habits and started participating in the maintenance of the public space.

The design, the choice of materials, the choice of plantation, the lighting, they all contribute not only to the construction of a high quality public space but mainly to the organization of a space that is “inscribed” smoothly to the existing urban landscape and its management and maintenance do not demand the waste of valuable resources.