架构师提供的文本描述。度假屋应该是什么样子，在一个非常陡峭的地形上塌陷成大海，使所有的植被，由波拉梳理，看起来扭曲和精神分裂。社会主义时代的度假屋被称为“小屋”。他们是每一个社会主义官僚的威信。社会主义崩溃了，但“小屋”的精神，它的不完整和笨拙仍然在亚得里亚海岸上空盘旋。在从不太遥远的历史的坏经验中吸取教训之后，我想知道这些结构应该是什么？这些建筑主要让我想起了一个门廊，一片幽暗，一片阴影，一片海景。

Text description provided by the architects. How should a vacation home look like, on a rather steep terrain that collapses into the sea so that all vegetation, combed by the bora, looks distorted and schizophrenic. Vacation homes in the era of socialism were called "cottages". They were prestige things for every socialist bureaucrat. Socialism collapsed, but the spirit of "cottage" with its incompleteness and clumsiness remained circling above the coast of the Adriatic Sea. Having learned from bad experiences of not so distant history, I wonder what those structures should be? Such buildings remind me primarily of a porch, deep shade, shadow, a view of the sea horizon.

Text description provided by the architects. How should a vacation home look like, on a rather steep terrain that collapses into the sea so that all vegetation, combed by the bora, looks distorted and schizophrenic. Vacation homes in the era of socialism were called "cottages". They were prestige things for every socialist bureaucrat. Socialism collapsed, but the spirit of "cottage" with its incompleteness and clumsiness remained circling above the coast of the Adriatic Sea. Having learned from bad experiences of not so distant history, I wonder what those structures should be? Such buildings remind me primarily of a porch, deep shade, shadow, a view of the sea horizon.

© Jure Živković

(C)jureŽivković

© Jure Živković

(C)jureŽivković

在空间概念和使用场景中，几何初等“满”和“空”卷之间的关系起着关键作用。户外空间-开放的房间，被整合在使用和体验房子的场景中。

In the spatial concept and scenario of use, the key role is played by the relations between geometrically elementary "full" and "empty" volumes. Outdoor spaces—rooms in the open, are integrated in the scenario of using and experiencing the house.

In the spatial concept and scenario of use, the key role is played by the relations between geometrically elementary "full" and "empty" volumes. Outdoor spaces—rooms in the open, are integrated in the scenario of using and experiencing the house.

Section A-A

A-A节

罗马人已经用葡萄树作为一个有盖的结构，创造了一个阴影。它叫做Pergola。这个巧妙的发明创造了阴凉，在夏天结出了果实，在冬天穿过了阳光，这是我思考乡村建筑的起点。我想知道为什么一个Pergola不是一个“住房-睡觉的立方体”，而厨房，一个立方体砍进了小山。通过移动这两个立方体，我们得到了一个巨大的，覆盖的客厅，也就是一个露台。第三个立方体被切割到客厅下面的深处-露台，并保留给客房。房子是由三个几乎相同的立方体相互作用而形成的。一个“正空间”被创造出来，让山间的风向大海流过，这不会阻挡Brač和Biokovo的视野。它被涂上了阴影，而且是水平的，足以满足住宅的所有需要。

Already the Romans used the vine as a covered structure that creates a shadow. It is called pergola. This ingenious invention that creates shade and gives fruit in summer, and passes the sun's rays in winter, was the starting point of my thinking about country architecture. I wondered why a pergola would not be a "housing-sleeping cube", and a kitchen a cube cut into the hill. By moving these two cubes we get a large, covered living room, that is, a terrace. The third cube is cut deep below the living room—the terrace, and is reserved for guest rooms. The house is formed by the interplay of three almost identical cubes. A "positive void space" is created that lets the flow of the mountain wind pass toward the sea, that does not block the view of Brač and Biokovo. It is painted with shade and is horizontal enough to carry on it all the needs of dwelling.

Already the Romans used the vine as a covered structure that creates a shadow. It is called pergola. This ingenious invention that creates shade and gives fruit in summer, and passes the sun's rays in winter, was the starting point of my thinking about country architecture. I wondered why a pergola would not be a "housing-sleeping cube", and a kitchen a cube cut into the hill. By moving these two cubes we get a large, covered living room, that is, a terrace. The third cube is cut deep below the living room—the terrace, and is reserved for guest rooms. The house is formed by the interplay of three almost identical cubes. A "positive void space" is created that lets the flow of the mountain wind pass toward the sea, that does not block the view of Brač and Biokovo. It is painted with shade and is horizontal enough to carry on it all the needs of dwelling.

© Jure Živković

(C)jureŽivković

小气候条件和视图确定了建筑物的布局。但同样适用于房屋的重要性和触觉特性。立方体由混凝土浇筑，并与生物科沃山脉的岩石及其颜色有关。在这一地区，传统的小型农村房屋建设意味着由单一材料建造。它主要是石头，盖子是由石板制成的。匿名手势创建了漂亮的功能单元，并根据需要打开空间。Dalmatian建筑是开放空间的建筑，覆盖或覆盖了藤蔓、石板、瓷砖，或在这种情况下是混凝土立方体。

The microclimate conditions and a view determined the layout of the building. But the same applies to the materiality and tactile properties of the house. The cubes are cast from concrete, and relate to the rocks of Biokovo mountain range with their color. Traditional construction of small rural houses in this area implies the construction from a single material. It was mostly stone, and the cover was made of stone slabs. That anonymous gesture created beautiful functional units and, as required, open spaces. Dalmatian architecture is the architecture of open spaces—uncovered or covered with vine, stone slabs, tile, or, in this case, a concrete cube.

The microclimate conditions and a view determined the layout of the building. But the same applies to the materiality and tactile properties of the house. The cubes are cast from concrete, and relate to the rocks of Biokovo mountain range with their color. Traditional construction of small rural houses in this area implies the construction from a single material. It was mostly stone, and the cover was made of stone slabs. That anonymous gesture created beautiful functional units and, as required, open spaces. Dalmatian architecture is the architecture of open spaces—uncovered or covered with vine, stone slabs, tile, or, in this case, a concrete cube.

© Jure Živković

(C)jureŽivković

我对这个房子的想法已经有七年了。他们说我们是思想的建设者。奇迹是从思想到实现的道路。我从来没有想过要在这所房子里创造一个形象，去创造一个雕塑。为生活提供空间。我们必须填补这个空间。我想做一个适当的防晒措施，不受风、雨和寒冷的影响，我希望所有的窗户和开口都充满大海。

I have been carrying the idea of this house for seven years. They say that we are builders of ideas. Miraculous is the path from the idea to realization. I never wanted to create an image from this house, to create a sculpture. To direct a space for living. The space must be filled with us. I wanted to make a proper protection from the sun, protection from the wind, rain, and cold, I wanted all windows and openings to be full of the sea.

I have been carrying the idea of this house for seven years. They say that we are builders of ideas. Miraculous is the path from the idea to realization. I never wanted to create an image from this house, to create a sculpture. To direct a space for living. The space must be filled with us. I wanted to make a proper protection from the sun, protection from the wind, rain, and cold, I wanted all windows and openings to be full of the sea.

© Jure Živković

(C)jureŽivković