加拿大海边简约农舍 | 麦凯-- 莱昂斯“够房子”_家装空间_设计案例作品

发布时间：2016-06-25 01:48:00 {{ caseViews }} {{ caseCollects }}

设计亮点

现代与传统元素融合，简约风格中展现丰富细节。

架构师提供的文本描述。“够房子”是新斯科舍省建筑师布赖恩·麦凯-里昂的Shobac农场的最新成员。美丽的房产俯瞰大西洋，既是麦凯-莱昂斯甜苹果建筑师的卫星农村工作室，也是建筑试验场。近30年来，麦凯莱昂斯一直利用悬崖边的遗址来探索景观中的形式、物质性和建筑理念。校园融合了旧的和新的，因为重建的历史建筑坐落在现代结构的旁边，由他们的调色板统一。

Text description provided by the architects. Enough House is the newest addition to architect Brian MacKay-Lyons' Shobac farm in Nova Scotia. The beautiful property overlooks the Atlantic Ocean and acts as both the satellite rural studio for Mackay-Lyons Sweetapple Architects and as an architectural testing ground. For almost 30 years, MacKay-Lyons has used the cliff-side site to explore ideas of form, materiality and building in the landscape. The campus mixes old and new, as reclaimed historic buildings sit next to modern structures unified by their palette.

c.詹姆斯·布里顿

最新的增加，足够豪斯，提供住宿实习建筑师与麦凯莱昂斯密切合作。客舱是一篇经济的文章：空间，预算，时间表和美学。它和相邻的1830年的校舍有着同样的极简主义伦理。但是，尽管校舍是古典的，一篇关于木雕的文章，但足够多的房子是从彻底现代的物质性发展而来的：所有的考腾都是外面的，里面有许多生锈的钢铁图腾。它暴露的道格拉斯杉木胶合板，宽大的染色松木地板和胶合板橱柜与生锈的调色板相匹配，给建筑一个整体的效果。

The latest addition, Enough House, provides accommodation for an intern architect to work closely with MacKay-Lyons. The cabin is an essay in economy: space, budget, schedule and aesthetic. It shares the same minimalist ethic as the adjacent, 1830’s schoolhouse. But whereas the schoolhouse is classical and an essay in wood detailing, Enough House is developed from materiality that is thoroughly contemporary: all Corten outside and many rusted steel totems inside. Its exposed Douglas fir plywood sheathing, the wide stained pine floorboards and the plywood cabinetry match the rusted palette, giving the building a monolithic effect.

c.詹姆斯·布里顿

Ground and Second Floor Plans

地下及二楼图则

“够简单的房子”的简单形式让人想起了典型的孩子的房子形象，部分灵感来自加拿大民间艺术家莫德·刘易斯(Maud Lewis)的住宅，麦凯-莱昂斯(MacKay-Lyons)小时候在那里扮演过角色。刘易斯住在一栋简单的建筑里，楼上有一间卧室，楼下有一间单间，旁边有炉子、楼梯和一扇可油漆的窗户。在编程方面，足够多的房子也受到了同样的限制，有一个起居空间、一个厨房和两个卧室。

Enough House’s simple form recalls the archetypal child’s image of a house. It was partially inspired by the residence of Canadian folk artist Maud Lewis, where MacKay-Lyons played as a child. Lewis lived in a simple structure that consisted of a bedroom upstairs and a single room downstairs with a stove, stairs and a window to paint beside. Enough House is similarly restrained in terms of programming, with a living space, kitchen and two bedrooms.

c.詹姆斯·布里顿

原城市填充工程在校园中占有举足轻重的地位，通过搭建庭院，积极参与其他建筑的建设。作为一种景观观赏工具，它似乎拥有在北部和东部的田园山谷，通过一个宽阔的24英尺宽的角落窗户。在年级，空白的凸起/壁炉/楼梯墙保护内部远离道路，而一个12英尺高的朝南的窗户提供了一个戏剧性的海滩景观。

The proto-urban infill project has a pivotal position in the campus that actively engages with all of the other structures by framing courtyards. As a landscape viewing instrument it seems to own the pastoral valley to the north and east through a generous 24-foot wide corner window. At grade the blank plinth/hearth/stair wall protects the interior from the road, while a 12-foot south-facing window above offers a dramatic view toward the beach.

c.詹姆斯·布里顿

South Elevation

Longitudinal Section

Mackay-Lyons的女儿Renee MacKay-Lyons设计了木平台框架结构。把建筑物放在一系列的混凝土鳍上，使项目能够“轻轻地触摸土地”(GlennMurcutt)。基座一样的鳍使该项目成为一个典型的参考，一个谦虚，传统的棚屋。结构系结，以抵抗侧向风荷载引起的倾覆。

MacKay-Lyons’ daughter Renee MacKay-Lyons engineered the wood platform frame construction. Placing the building on a series of concrete fins allows the project to 'touch the land lightly' (Glenn Murcutt). The pedestal-like fins make the project an iconic reference to a modest, traditional shed. Structural tie downs to resist overturning due to lateral wind loads.

c.詹姆斯·布里顿