塑料月亮空间 | 液态与固态的共生设计_建筑_设计案例作品

发布时间：2013-04-24 10:36:00 {{ caseViews }} {{ caseCollects }}

设计亮点

硬币形状空间与模具高差相结合，创造出独特视觉效果和空间体验。

架构师提供的文本描述。对于这个项目，一个造型形式硬币的形状的空间。根据这种积极的形式，建筑中的每一个空间，连同它的风景，都是作为它的反面被创造出来的。

Text description provided by the architects. For this project a moulding form coins the shape of space. According to this positive form, every space in the building alongside with its scenery is being created as the negative counterpart to it.

成型形式通常是用液态金属填充，以形成某种零件或产品。

Moulding forms are usually being filled with liquid metal in order to shape a certain kind of part or product.

(3)Sobajima Toshihiro Sobajima

采用四种铸造模具，对塑料月亮三层的空间进行了造型。[在下面的图片中，从左到右，你可以看到地下室、一楼、二楼和屋顶的表格。]此外，“模具的高差”加起来达1.2米，在一些地方，甚至为空洞状的中庭打开，使之泛滥，并将房间与光线连接起来。

In order to shape the spaces of the three floors of Plastic Moon, four casting moulds were used. [In the lower picture, from left to right, you can see the forms for the basement, first floor, second floor and for the roof.] Additionally the "height difference of the mould" adds up to 1.2 meters and in some places even breaks open for void-like atria to flood and furthermore connect the rooms with light.

(3)Sobajima Toshihiro Sobajima

然后，这些形式被翻译成建筑，如下一张图片所示。这实际上意味着，在这一翻译过程中，上层图像的铸模被转换成下幅图像的建筑形状，同时也发生了一些微小的变化。

These forms have then been translated into architecture as seen in the next picture. Which practically means, that the casting moulds of the upper picture were translated into the architectural shape of the lower picture while undergoing minor changes during this translation process.

(3)Sobajima Toshihiro Sobajima

最后，四种模具垂直堆叠在一起。因此，人类的“液态”生存空间就在“固体”相互模子之间的比例中显现出来。这一特性在塑料月亮上的特殊空间的质量上有很大的区别。

Finally the four molds are vertically stacked on top of each other. Thus, "liquid" living space for the human being emerges out of the proportions in between the "solid" mutual molds. And this characteristic seals the difference in the quality of the special spaces in Plastic Moon.

(3)Sobajima Toshihiro Sobajima

这种质量上的差异可以在整个建筑的情感深处感受到，无论你是站在房子的哪一部分，漂浮的还是坐着的。

This difference in quality can be felt emotionally deep throughout the building, no matter in which part of the houses' liquid you might be standing, floating or sitting.

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