Courtesy of Fujiki Studio

藤木工作室

呼吸的建筑，就像一个活的东西：这个临时的艺术作品是一个嵌套的结构，在10英尺的方形小屋里嵌入了一个两层的塔塔米空间。这是一种日本传统的茶壶。我们自己建造的。它曾在日本Echigo-Tsumari ArtTriennale 2018年展出。在这次展览中，建筑师们被要求回答如何克服20世纪占主导地位的同质空间的概念这一主题。它是扭曲的同质空间，由骨架的随机图案造成不规则，并提出了一种有许多孔的艺术结构，这些孔是开放的和封闭的，这是必要的，可以像生物一样与外界交流。

Breathing architecture like a living-thing: This temporary art work is a nested structure with a two-tatami space embedded in ten foot square hut. The use is a Japanese traditional tearoom. We constructed it by ourselves. It was exhibited in Echigo-tsumari Art Triennale 2018 in Japan. In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.

Breathing architecture like a living-thing: This temporary art work is a nested structure with a two-tatami space embedded in ten foot square hut. The use is a Japanese traditional tearoom. We constructed it by ourselves. It was exhibited in Echigo-tsumari Art Triennale 2018 in Japan. In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.

Courtesy of Fujiki Studio

藤木工作室

互动：当你进入室内时，这种艺术结构(建筑)会感觉到你，并开始像一个活物一样呼吸。具体来说，许多称为呼吸褶皱的洞根据人的运动开始打开和关闭。

Interaction: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing. Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.

Interaction: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing. Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.

© Masahiro Hoshida

3.Masahiro Hoshida

展览：本作品于7月29日至9月17日在新田Pref Echigo-Tsumari ArtTriennale举办的专题展览“2018年的霍约基志基：建筑师和艺术家的十英尺广场小屋的宇宙”中展出。在日本。当今，全球金融资本主义对所有地区都产生了影响，这些地区必须接受提高效率、合理化和同质化的要求。这次展览是建筑师和艺术家展示自己的Hojoki Shiki的机会，提出了不同的“Hojo”，日本建筑的最低模式。在霍约基(“我的小屋的记述”)的启发下，三十多名建筑师和艺术家在公开征召中(陪审团：Hiroshi Hara，Ryue Niszhawa，Fram Kitagawa)展示了他们的“Hojo”(10平方英尺的小屋)，这些建筑和艺术家代表了他们的世界观。在这次展览中，建筑师特别被要求回答如何克服20世纪占主导地位的同质空间的概念这一主题。

Exhibition: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan. In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews. In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.

Exhibition: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan. In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews. In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.

Courtesy of Fujiki Studio

藤木工作室

实现技术：它由云杉CLT面板和塑料材料混合而成，采用数字制造技术。

Realization technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.

Realization technology: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.

规格/技术特性：宽度、深度和高度均为2730mm。这个维度被称为日本老话的"乔"。

Specifications / technical properties: Width, Depth and Height are 2730mm each. This dimension was called a "Jo" in the old words in Japan.

Specifications / technical properties: Width, Depth and Height are 2730mm each. This dimension was called a "Jo" in the old words in Japan.

© Masahiro Hoshida

3.Masahiro Hoshida

Architects F.A.D.S., KOU::ARC, Ryumei Fujiki

Location Tokamachi, Niigata Prefecture, Japan

Architect in Charge Ryumei Fujiki

Architect in Charge Yukiko Sato

Area 10.0 ft2

Project Year 2018

Photographs Masahiro Hoshida

Category Small Scale

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