Luchetti Krelle令新的Ovolo South Yarra内部装饰充满魅力。这家位于悉尼的工作室融合了当地和国际艺术家的作品，将波普艺术元素与当代装置作品拼接在一起。图形壁纸、闪闪发光的铬合金、冲击力强的图案、豪华家具和大胆的原始色调赋予酒店一种令人陶醉的摇滚式无政府状态，带有一种时髦的气质。它坐在墨尔本的Toorak路和Chapel街的交叉路口——一个世界性的酒店和零售中心——里的氛围是响亮而年轻的，在艺术的节拍中，舒适是最重要的。

Luchetti Krelle has gone full glam for the interior of the new Ovolo South Yarra. Pop Art elements are spliced with contemporary installations as the Sydney-based studio integrated works by local and international artists. Graphic wallpaper, gleaming chrome, punchy patterns, plush furnishings and bold primal hues grant the hotel with a heady dose of rock ’n’ roll anarchy spritzed with jet-set flair. Sitting on the intersection of Toorak Road and Chapel Street in Melbourne — a cosmopolitan hub of hospitality and retail — the vibe is loud and young, prioritising comfort amongst the artistic beats of connection.

这家拥有123间客房的酒店是为了响应数字游牧民的崛起而设计的，它提供了大量鼓舞人心的工作和交流空间，而超过60%的房间都是15平方米的微型空间。Woods bagott设计的六层混凝土建筑提供了暴露的服务，为 Luchetti Krelle 千变万化的色彩层和从七十年代的地板到天花板的参考奠定了基础。其设计灵感来自于那个时代对太空旅行、摇滚神崇拜和夜生活魅力的痴迷，定制细节探索了复古未来主义的主题——过去的风格和未来技术之间的张力。

The 123-room hotel was designed in response to the rise of the digital nomad, offering large inspirational spaces to work and mingle in, while devoting over 60 per cent of the rooms to a 15sqm micro footprint. Woods Bagot-designed six-level concrete building with exposed services provides the foundation for Luchetti Krelle’s kaleidoscopic layers of colour and seventies references from floor to ceiling. Taking its design cues from the era’s preoccupation with space travel, rock god idolisation and nightlife glamour, custom details explore the themes of retro-futurism — the tension between past styles and futuristic technology.

Luchetti Krelle和Ovolo Group所有者Girish Jhunjhnuwala委托和挑选的综合艺术装置和艺术品，强化了这种怀旧情绪，这些作品主要是法国、澳大利亚和美国艺术家的作品。大堂的原始野兽主义和整体形式与充满活力的色调和折衷的纪念品冲突。一个带有明亮橙色烟道的霓虹壁炉用弯曲的混凝土和皮革座椅划分了室内中心。

This nostalgia is bolstered via integrated art installations and artworks commissioned and selected by Luchetti Krelle and Ovolo Group owner, Girish Jhunjhnuwala, featuring works by predominantly French, Australian and American artists. The lobby’s raw brutalist and monolithic forms clash with energetic hues and eclectic memorabilia. A figurative neon fireplace with a bright orange flue demarcates the interior hub with its curved concrete and leather seating.

在房间内部，人们高度重视空间的节约。在储物床下面，滑动凹槽的内部玻璃门和带有悬挂栏杆的开放式搁板“打开”了房间，而不是笨重的木制细木工和门，同时熨衣板被塞在镜子后面。“单人床”实际上是定制的超大长度和宽大的床，其目的是为了优先考虑舒适度。水槽从套间迁移到入口通道，以方便和可观的肘部空间，附近设有饮水机，为客人提供水的同时，减少酒吧冰箱的塑料垃圾。一系列复古的70年代色调，包括橘色和棕色，通过拱形床头和特色墙壁壁画，将这些入口层的客房系在一起，并延伸到走廊，以风格连接空间。

Inside the rooms, economies of space are highly considered. Under bed storage, sliding fluted internal glass doors and open shelving with hanging rails ‘open’ the rooms up as opposed to clunky timber joinery and doors, whilst ironing boards are tucked behind mirrors. Prioritising comfort, ‘single’ beds are in fact customised queen-size length and generously wide. Sinks migrate from the en-suites to the entry passage for convenience and considerable elbow room, featuring a neighbouring water dispenser to simultaneously hydrate guests and reduce the bar fridge’s plastic waste. Bands of retro seventies tones including tangerines and browns tether these entry level guest rooms via arched bedheads and feature wall murals, escaping into the hallways to connect the spaces stylistically.

Interiors:LuchettiKrelle

Photos:SeanFennessy

Words:小鹿