巴西庄园旧材新用的英加-- 米林教堂_建筑_设计案例作品

发布时间：2019-04-03 04:13:05 {{ caseViews }} {{ caseCollects }}

设计亮点

旧建筑材料的新生，创造连续性景观，开放宗教享受。

项目名称：巴西庄园旧材新用的英加-- 米林教堂
设计师：Francisco Rivas,Rodrigo Messina,Guadalupe Sappia
摄影：Federico Cairoli
合作者：Ana luz sosa
市民团队：Carlos Alexandre Xavier,Charles Xavier
景观设计：Andre Paolielo,Paula Paolielo

messina | rivas：Ingá-Mirim教堂坐落在伊图帕瓦市郊区的一座19世纪的庄园内，距离圣保罗约80公里。当地政府委托我们对当地的前殖民庄园进行更新，希望使其成为当地宗教一个重要的举办活动场地。

messina | rivas：The Ingá-Mirim Chapel is located on the outskirts of the city of Itupeva, 80km from São Paulo, on a 19th-century estate. We were asked to renovate the former local colonial estate to make it an environment that responds to local celebrations of religious importance.

我们认为此次的建筑改造是一个重新诠释原有建筑，使项目和景观之间建立起新的关系的机会，故而，我们以此为出发点，决定在Inga-Mirim教堂的设计中拆除旧殖民时期的建筑材料，再重新利用它们创造出新的空间。

We understand the idea of the architectural reform as an opportunity to reinterpret pre-existing construction, enabling new relationships between the project and the landscape. Therefore, as an act of reflection, we decided to disarm the materials of the old colonial estate in the design of the Ingá-Mirim Chapel in order to reuse them and to give them new conditions.

该项目的建设由农场管理员卡洛斯和查尔斯兄弟与我们一起合作完成，他们以前在建筑行业工作，现在主要做当地的保护工作。与他们一起，我们可以通过他们的知识，将当地老建筑的材料重新再利用起来，所以，我们的施工过程也是在他们的日常活动时间表（如割草、放马或喂牛等）下进行的。

The construction was carried out in collaboration with the farm caretakers, the brothers Carlos and Charles, who previously worked in construction and now do the local preservation work. With them we experimented with how we could, through their own knowledge, reuse the materials of the old local buildings. Under these conditions, the construction process followed the schedule of the daily activities such as mowing, releasing horses or feeding cattle.

▼施工过程 Construction

该项目以原有的建筑为基础，就建于农场入口处旧道路上的三面石墙上。在这三面墙之间，一条庄园传统砖块铺就而成的路径穿过空间，创建了建筑与景观之间的连续性，从而暗示了一种开放的宗教享受。

Using the foundation of the pre-existing construction, the project is based on three stone walls used in the old road that allowed access to the farm. Between these three walls, the unarmed bricks of the estate define a path that leads through spaces that seek continuity between construction and landscape, thus suggesting an open religious enjoyment.