安特卫普公共花园 | 现代主义三角形窗口形式新建筑_家装空间_设计案例作品

发布时间：2020-09-14 01:32:00 {{ caseViews }} {{ caseCollects }}

设计亮点

新建筑将公园分隔为前后两部分，通过平面旋转、楼层偏移、雕塑感呈现，以及玻璃体量与钢桁架结构的应用，实现了公共绿地与建筑的和谐共生。

新建筑取代了以前占据整个基地的一组现代主义建筑群，现已无法适应当今的可持续发展标准。

由于安特卫普市中心几乎没有公共绿地，因此将场地从一个硬质基础设施建设用地改造成一个公共花园。

这片土地被零散的公共绿地所包围，形成了一个更大且连贯的公园。但另一个矛盾是保留的代表性展馆成为了绿地间的障碍。

The new building replaces a complex of modernist building volumes that used to occupy the entire site and could not be adapted to today’s sustainability standards. As the Antwerp city centre has few public green surfaces, the transformation of the site from a merely private, mineral, and infrastructural area into a public garden is a crucial requirement of the competition brief. Surrounded by fragments of public green, the parcel is key to the formation of a larger, coherent park. Another – contradictory - demand was to maintain a more recent representational pavilion, which was positioned as an obstacle in between the fragments.

整个项目设置在一个紧凑的体量中，可以切割正立面，并使主入口临近街道一侧。但是，这么巨大的体量将公园分为前后两部分。

为了使其联系成整体，建筑师使平面围绕一角进行旋转，随着楼层增高，建筑两端向中心偏移；尊重现有的相邻建筑，并呈现出一种雕塑感。

By situating the full program in a compact volume across the pavilion, this frontage is cut up and the main entrance is brought close to the street. This large volume, however, divides the park in a front and a back garden. Finally, by rotating the plan around one of its corners as it climbs up, the building shifts towards the centre; existing neighbouring buildings are respected and a sculptural form emerges.

在设计过程中，展馆建筑最终被玻璃体量取代，成为会议和展览的场所。该建筑被设想为横跨展馆的桥梁结构，在平面中，一个大型钢桁架连接两端中心。

During the design process, the pavilion building is at last replaced by a glazed volume to house the congress and exhibition part of the programme. The building is conceived as a bridge structure over and across the pavilion. At the centre of the plan, one large steel truss spans from one core to the other.

另外两处钢桁架与混凝土侧墙合并在一起，它们的三角形部分定义了窗口形式，同时这种窗口形式被应用在整个建筑中，可以有效地控制了阳光入射，避免室内温度过热。

不透明的立面之间嵌有玻璃幕墙，而展馆是公园中一个完全透明的盒子体量。

Two more trusses are integrated into the concrete sidewalls and their triangulation defines the form of the window openings. In the next step this window form is applied all over the building as it turns out to be very efficient when it comes to an ideal balance between daylight access and overheating by the sun. The opaque facade is clad in circular, white glass mosaic, while the pavilion is a fully transparent box in the park.