© Adrià Goula
(AdriàGoula)
架构师提供的文本描述。乍一看，这座房子成了对古纳尔·阿斯普罗德和西格德·莱温茨北欧古典主义的纪念。一个混凝土门廊，作为一个柱廊，在反，是嘎吱地向天空开放。除了一个木栅栏，侧面的主轴由柱廊界定，游客穿过第一个庭院，作为一个空洞的立体建筑。在那里你可以找到一扇简单的门。
Text description provided by the architects. In the first glance, the house materializes as a remembrance of Gunnar Asplund and Sigurd Lewerentz’s Nordic classicism. A concrete portico, as-a-colonnade-in antis, is creaky opened to the sky. Besides a wooden fence, lateral to the main axis defined by the colonnade, the visitor crosses a first courtyard, built as a void stereotomy. There you can find a simple door.
Axonometric View
从这一点就发现了房子的主轴。突然间，顺序门廊、庭院、封闭的生活区、庭院、门廊、水池、湖泊、景观在游客眼前安顿下来。房子住在这显然是静止的轴上跳舞。
The main axis of the house is discovered from this point. Suddenly, the sequence portico, porch, courtyard, enclosed living area, courtyard, portico, pool, lake, landscape it is settled in front of the eyes of the visitor. The house live dances around this apparently static axis.
© Adrià Goula
(AdriàGoula)
在这个序列的侧壁上打开的一些窗户显示了两个横向的私人庭院。墙中的这些对角线开口通过主立体结构的横膈膜结构延伸视图，将其与景观连接起来。
Some windows opened in the flanking walls of this sequence reveal two lateral private courtyards. These diagonal openings in the wall extend the views through the diaphragmatic structure of the main stereotomy, connecting it with the landscape.
Floor Plan
空间的丰富性被传统朴素的材料所包围。墙壁经常呈现白色。雪白雀斑的水磨石路面延伸在内部和外部地区，嵌入在墙的底部。它发生在现代主义的房屋，有时有最小的玻璃平面之间的墙壁开口。
The richness of the space is enclosed in traditional austere materials. Walls are regularly white rendered. Snowy freckled terrazzo pavements are extended both in interior and exterior areas, embedded in the base of the walls. As it happens in modernist houses, sometimes there is minimum glazing plane in between the wall openings.
© Adrià Goula
(AdriàGoula)
车费面对混凝土屋顶，墙和梁之间的框架，避免了可能的空间白色唯我。
The fare face concrete roofs, framed in between walls and beams, avoid the possible spatial white solipsism.
© Adrià Goula
(AdriàGoula)
它的木质纹理展现了一种基本而高贵的建筑，精心铸造。
Its wood texture reveals a basic and noble construction, carefully casted.
© Adrià Goula
(AdriàGoula)
房子的抽象立体结构与空间、程序和时间相适应，因为它的目标是对建筑本身的归属感。它的设计是为了永远亏欠一位意料之外和遥远的至爱的主人。
The abstract stereotomy of the house is as adapted to place, program and time, as it aims the sense of belonging to architecture itself. And it was designed in a perpetual debt to an unexpected and distant beloved master.
Architect Lagula arquitectes
Location Province of Girona, Spain
Architects in Charge Antonio Alonso, Martín Ezquerro, Ignacio López Alonso, Marc Zaballa, Manel Morante
Area 300.0 m2
Project Year 2017
Photographs Adrià Goula
Category Houses
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