项目名称：隐归

项目类型：硬装设计，软装宅配

项目地点：九龙仓雍景山

项目面积：185㎡

户型：三室两厅

设计机构：菲拉设计

# 隐归 #

“隐居黔灵听松涛，镜明湖畔伴鹤呜 南来北客不忍归，只因云贵云雾深”

本案居住者是美学造诣颇深的中国美院雕塑系教授；希望家呈现的是古朴调性的侘寂风，事物与时间的关系在这个空间里与居住者对话；灵魂自由，不受拘束，打造一个更趋于民宿式的美学空间。

Living room \ 客厅

家对于本案居住者来说，非单薄的百十来方的居所而已，它是有灵魂的，不是片面为舒适、为美学，更偏向于一个灵魂辩证的表达，不受限，是包容的，开放的，又是极其自我的，带有极强的居住者属性。

Home for the owner, not thin 100 square residence, it is a soul, not one-sided for comfort, for aesthetics, more inclined to a soul dialectical expression, not limited, is inclusive, open, and extremely self, with a strong occupant attributes.

在房顶做梁，楼梯做柱，建筑艺术穿插结构的形式将老木头放置其间，满足居住者家居空间里要有老木头运用的要求。

In the roof as beams, stairs as columns, architectural art interspersed with the form of the structure of the old wood placed in the meantime, to meet the owners home space to have the use of old wood requirements.

因为是雕塑系老师，做手工是常态且会在家办公，在空间富足的客厅放置超长手工桌，身后做墙体为置物架作为展览区。

As a teacher in the Department of Sculpture, it is normal to do handwork and I will work at home. A long handwork table is placed in the living room with abundant space. The wall behind me is used as a shelf for the exhibition area.

Restaurant&Kitchen\ 餐厨区

居住者希望公共空间在格局上尽量开阔，多一些空间之间的连动性，所以在一楼的客餐厅并未明确设限区域，而是以体块的形式在各个区域呈现相对独立的中心，厨房自然也是呈开放式。

The occupants want the public space to be as open as possible in the pattern, with more connectivity between Spaces, so the guest restaurant on the first floor has no clear limits, but presents a relatively independent center in each area in the form of a block, and the kitchen is naturally open.

由线呈面，结构交错优化空间层次。The structure is staggered by lines and planes to optimize the spatial hierarchy.

木质的天然质感，本身便带有人文属性。呈现的家居氛围——安静、古朴。

The natural texture of woodiness, itself contains humanistic attribute. Present home atmosphere -- quiet, simple.

Corridor \ 走廊

楼梯是贯穿整个居室、层间的必然要素，破仅仅是垂直交通构件的传统印象，不拘泥于楼梯本身的通道价值，或者可以说是一个艺术走廊的概念形式，我们希望漫步者不是匆匆往返，而是在家的每一处都可以是停下、静默欣赏的地方。

Stair is the necessary element of throughout the whole bedroom, interlayer, break is just the traditional impression of vertical transport components, channel value is not constrained by stair itself, or can be a form the concept of art gallery, we hope to walk is not in a hurry, back and forth but each can be stopped at home, appreciate the quiet.

楼梯扶手选用通透的玻璃材质，一楼结合老木头的元素与造型相互穿插，二楼以两种材质结合来呈现，免除碍于楼梯狭小、格局呆板的问题。

The stair handrail is made of transparent glass. The first floor is interwoven with the elements of old wood and the shape. The second floor is presented by the combination of two materials to avoid the problems of narrow stair and rigid pattern.

Master bedroom \ 主卧

居住者要求家里动静区域明确，动区规划在一楼，二楼是睡眠区。

The occupants are required to have a clear moving area in the home. The moving area is planned on the first floor and the second floor is a sleeping area.

重组空间结构，柜体推入墙体，墙面延伸曲面连至衣柜，空间衔接顺畅干净。

Reorganize the space structure, the cabinet is pushed into the wall, the wall extends the curved surface to connect to the wardrobe, the space is smooth and clean.

卧室主打暖色调，选用偏黄色艺术漆营造老房子土墙效果，没有冗赘的装饰，归还纯粹的睡眠空间。

The bedroom is mainly warm color, and the yellow art paint is used to create the effect of the earth wall of the old house. There is no redundant decoration, and the pure sleeping space is returned.

Second bedroom \ 次卧

Toilet \ 卫生间

House type&Plane design \ 原始结构&平面设计图

first floor

second floor