© Şafak Emrence
Ş阿法克·埃伦斯
架构师提供的文本描述。该项目包括一个供出口部门使用的空间和一个在一家纺织公司总部内为该空间提供服务的休息区。
Text description provided by the architects. The project consist of a space designed for utilisation of the export division and a lounge area which serves that space, within the headquarter of a textile company.
© Şafak Emrence
Ş阿法克·埃伦斯
出口部门由经理办公室、陈列室和业务办公室三大类组成，这三大部门相互分离，在视觉上应该有联系，同时也要保护他们的听觉隐私。
The export division is composed of three main group; manager's office, showroom and operational office which are seperated from each other plainly and these parts should have been visually related, also protect their aural privacy.
© Şafak Emrence
Ş阿法克·埃伦斯
这一概念是虚构在三个透明的主盒子并排放置的空间，其中有3个主要功能和一个主轴，而不触及现有的墙壁和地面。这一轴线提供整个建筑内部的循环，也不间断地在出口部门内进行，属于出口部门的箱子与这一轴集成在一起。
The concept is fictionalised upon three transparent main boxes positioned side-by-side to the space which have 3 main functions and a main axis without touching existing walls and floor. This axis provides the circulation within the whole building to proceed also inside of the export division uninterruptedly, and the boxes belong to the export division are integrated to this axis.
Floor Plan
© Şafak Emrence
Ş阿法克·埃伦斯
© Şafak Emrence
Ş阿法克·埃伦斯
从功能上分离主盒的子部分构成不同级别的平台。为了保持流通的连续性，满足这些层次的视觉隐蔽性和可见性要求，在楼层的意义上，从入口处起就出现了一种升级式的布局。这样，连接器轴就变成了一个元素，通过倾斜和穿透箱体内部来加强整体情况。
© Şafak Emrence
Ş阿法克·埃伦斯
主箱由铁结构和玻璃组成。平台与坡道的分离情况，反映在坡道上的材料如核桃层压板和平台上的白色聚氨酯涂饰。
Main boxes consist of iron construction and glass. Separating situation of the platforms and the ramp, reflected to the materials as walnut laminate parquet on the ramp and white coloured polyurethane finish on platforms.
在休息区，为公司员工和客人使用的短时间会议和活动设计了一个座位单元。在此背景下，以曲线形式和女性效果的座位单位，渴望一个互动区域定义与整体建筑对比。
In lounge area, designed a seating unit for short-time meetings and events used by company employees and guests as well. In this context, with curvilinear form and feminine effect of seating unit, aspired an interaction area define contrasts with building overall.
Architects Zemberek Design
Location Güneşli, Bağcılar, İSTANBUL
Category Offices Interiors
Area 250.0 sqm
Project Year 2015
Photographs Şafak Emrence
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