编者按：这个项目是否经过设计？只是在一栋没有任何装饰的老屋中添加了一些家具，并以蜡烛作为指引吗？相比那些装修精细或是“粗野”风格的房屋，不对建筑的原本空间结构做任何改动，只以家具布局来影响空间功能的做法，是否从另一个层面上更加真实地反映了中国乡村人在自然中的存在哲学？业主和客户对这个项目接受度怎么样？城市人如何理解乡村设计，他们想消费什么样的乡村设计？也许这个项目是关于乡村设计的某种可能性尝试。
一直在感悟，艺术与社会的美好关系，希望让更多的人，去享受设计的平凡与伟大。失踪旅馆（别名：不见酒店）位于东海边的小渔村，是一间有着30年房龄的乡村住宅，酒店并非传统意义上的概念，在这个空间里，自然地放下了多余的表现，用无为的方式，保留了所有原本的构建和皮肤。
We have been feeling the fine relationship between art and society. Hope more people to enjoy the commonness and greatness. Missing Hotel it’s in a small fishing village in the East China Sea. It’s a 30-year-old rural house. In this space, naturally let go of superfluous performance by doing nothing. Retain all original construction and skin.
▼项目概览，overview
▼酒店入口，entrance of the hotel
简洁的家具，给它化上了一个淡淡的妆容，我们能看到时间的肌理，印刻在斑驳的墙体上，阳光洒入房间的时候，就会唤醒现在的情绪，两者之间或许有一道裂痕，这就是，我们想要表达的乡村与社会的关系。
Simple furniture give it a light make-up, we can see the texture of time printed on mottled walls. When the sunlight spills into the room, it will wake up the current mood. There may be a crack between the two, that is the relationship between the countryside and society we want to express.
▼酒店门前的简单家具摆设，s
imple furnishings in front of the hotel
▼细节，details
▼俯瞰酒店庭院，overlooking the courtyard
▼庭院玻璃烛台，g
lass candlestick
尝试着去融合，那种沉寂已久的原生和自然，让它变的不再矛盾，可以有更多的思考和解读。场景里的烛光，在夜晚随风摇曳，静静的流露着曾经的岁月，我们似乎一直在改变，又似乎一尘不变…
Trying to merge the original and nature that has been silent for a long time, making it no longer contradictory and can be more thinking and interpretation. Candlelight in the scene swaying in the wind at night, quietly showing the past years. We seem to be changing all the time, but it seems to be the same…
▼从入口看向庭院，view from the entrance to the courtyard
▼楼梯间和地毯细部，the staircase and blanket details
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