城市里的黑森林，广场沿街的一个异形空间，深处于喧哗之中，乙醇的气息弥漫在空中，不知何处飞来了黑色的燕尾蝶落在酿酒机上，让喧嚣变得神秘，七幕剧场即将开始......

Itisablack forest in the city, an irregular space along the street of the square, the smell of alcohol spread in the air and deepin the noise, a swallowtail butterflycoming from nowhere falls on brewing machine, making the noise more mysterious, a seven-actshowis about to play…

第一幕[宝龙 54 号]

Act One(No.54 Baolong square)

n/a friend bar 是 N/A 一次新的尝试，在场所承载上，我们把 n/a 空间的概念表现做了更多的延伸。黑色，很多时候已经与审美无关，更多的是一种矛盾的表达欲望，克制又强烈，内敛也直接。这是一个有包裹感的单色空间，我们用“至上主义”的元素来营造一种唤起自由和想象力的氛围，它有助于放下戒备和释放头脑微醺，像是漫步在感性的艺术画布上，将人带入无限的未知宇宙。

折叠窗近景，

黑的出现，神秘、深邃，使光变得更亮。“放映、展览、聚光灯下”是空间未来可能连接的场域，把空间做成纯色，安放被拿捏刚刚好的情绪。自带表达欲的“黑店”，白天或夜晚，重逢或离别前，都能产生新的对话，成为新的第三社交空间。

The appearance of black, which is mysterious and profound, makes light brighter. A place of show, exhibition, or spotlight is what it is going to be in the future. A pure color of the space is to place the “just right” mood. Whether it’s day or night, reunion or departure, the “black shop” with its own desire for expression can generate new conversations and become a new third social space.

第二幕[横木]

Act Two (Bar)

在美国西部，牛仔和强盗们很喜欢聚在小酒馆里喝酒，他们都是骑马而来，酒馆老板就在馆子门前设了一根横木。横木在英文里念“bar”，人们索性把酒馆翻译成“bar”，是昔日水手、牛仔、商人及游子消磨时光或宣泄感情的地方。但“bar”一词也还是到 16 世纪才有“买饮料的柜台”这个词义项。

In western America, cowboys and robbers used to like to have a drink in pubs. As they always came there on horseback, the owner put a crossbar in front of the door. Thereby, people used the name of bar instead of pubs where sailors, cowboys, businessmen and wanderers spent time or spayed feelings in old times. It wasn’t until the 16th century that the world “bar” came into its own meaning as a place to buy drinks.

【酒吧一词来自英文的（Bar）的谐音，原意指出售酒的长条柜台】

【The Chinese word “Jiuba”is homonym of the English word “bar”which originally means the long counter to sell alcohol】

酒吧入口，entrance

经过数百年的发展演变，崇尚现代文明的“bar”正悄然走进。它以一种文化、反叛的姿态出现，是城市深夜不归的一种默许。越来越多的“bar”出现在中国大都市，成为年轻人的天下，亚文化的发生地。

With hundreds of years developing, we have got a new “bar” which embraces modern civilization. It appeared as a kind of cultural and rebellious attitude and a kind of acquiescence of staying late at night in the city. Nowadays, there are more and more bars in Chinese metropolises becoming a place of subculture for young people.入口细部，detailsoftheentrance

第三幕[密码门]

Act Three (The keypad door)

街上，薄雾并未能遮住阳光，只是使得阳光朦朦胧胧的。酒吧的入口仿佛一个黑洞，在虚拟的黑洞里，充满了多视角的精彩万象。推开酒吧金属门的一霎那他被震撼了，门的存在仿佛是两个世界的分界线，在门的两边是截然不同的两个世界。水晶灯悬挂在天花板上，散发着诱惑的色彩，给整个大厅笼上一层朦胧美。

The mist cannot cut off the sunlight but only makes it obscure in the street. The entrance of the bar looks like a black hole. In this virtual black hole, there are wonderful phenomena with multiple perspectives. You’ll be shocked at the first sight of the bar when opening the metal door. It seems that the door is a dividing line between two completely different worlds. On the ceiling hangs a crystal lamp which gives off seductive hues, making the whole hall shrouded in a misty beauty.

透过金属门看室内空间

View of interior space through the door

第四幕[社交]

Act Four (Social activity)

他的生活犹如西班牙内地的绅士，穿着整齐，有条不紊。在那旧式家具、古老的挂像和古旧的杂物中间，他也渐渐地衰老了。他的周围都是一些香烟的红火，每当人们把手送往唇边，红火就亮一下。他观察着啤酒上面的泡沫，每个泡沫犹如一个小小的火山口，静静地张开嘴喷出黄色的泡泡，然后又消失在被人手捂温了的黄色液体中。

——马里奥·巴尔加斯·略萨《酒吧长谈》

He lived like a gentleman from Spain’s innerland, neatly dressed and organized. Among the old furniture, old pictures and old stuff, he was getting old. Around him were the flames of cigarettes. Red fire lit up at time when people put their fingers to lips. He watched the bubbles on the top of beer, which looked like a tiny volcanic crater spraying yellow bubbles quietly and disappeared into yellow liquid warmed by hands.

——Conversación en la Catedral by Mario Vargas Llosa

室内空间概览，Overview of the interior space

第五幕[缪斯]

Act Five (Muse)

仿佛在嗅着某种微妙迷人的芳香，阿尔贝托-贾科梅蒂惬意地低垂眼帘，夹着香烟的右手微托脸颊，那张在线条质感上越发像其雕塑作品的晚年的脸上，坚挺的大鼻子明显处于高光的位置——它沉浸在那种不断切近的芳香里，并仿佛因此而凝止于那个点上。

在他右侧的桌面上，是一瓶带有金属笼罩的苏打水，旁边紧挨着的是只印有 TUBOR 的白色烟缸，而它的另一侧，则是半瓶可口可乐，那种经典的小玻璃瓶。它后面的那个姑娘正侧过头去，冲他笑着，她的右手握着玻璃杯，被可乐瓶遮住了一半，裸露的胳臂纤细圆滑，香烟夹在左手上，手腕上有只很小的手表，那串深色的宝石项链垂在浅色的薄纱丝体恤衫上……

——弗兰克-莫贝尔的《最后的模特》

Alberto Giacometti comfortably kept eyes down and lightly hold his cheeks with right hand carrying a cigarette as if he was smelling some delicate and attractive scent. His face looked more like his sculpture work in his old age as for the lines and texture, and his sharp nose was obviously in the position of highlight. It was deeply involved in the approaching fragrance and seemed not stagnate. On the table of his right hand is a bottle of soda with a cover of metal. Beside the soda is a white ashtray printed with TUBOR while on the other side is half bottle of coke, the sort of classic small glass one. The girl behind it turned to his side and smiled at him. Her right hand holding a glass was half hidden by the coke. Her bare arm was slender and pliable. The cigarette was on her left hand with a tiny watch on the wrist, a necklace of dark gems dangling from a light tulle T-shirt…

——Le Dernier Modèle by Frank Mobel

回望入口处用餐区，Dining area by the entrance

第六幕[琥珀]

Act Six (Amber)

“请赐我几卷书、法国葡萄酒、水果、晴朗天气以及不知由谁弹奏的悠扬音乐。”—— 约翰·济慈

有些帘子只遮住了阳光的一角，棕榈叶就亮一片，暗一片，亮的一片，绿得翠生生的，而暗的一片，就是墨绿，密集的几乎成了黑色。时间，宇宙，空间，现实和虚拟，带着初始的一些假设去探究空间的不限定可能性，N/A bar 像一个琥珀，通过物件、音乐甚至是弥散的气味凝结着时间。

“Give mesomebooks, French wine, fruit, fine weather and a little music played out of doors by somebody I do not know.”——By John Keats

Some of the curtains only cover a corner of the sun with some palm leaves bright and some others dark. The bright ones are green, while the dark ones blackish green, dense and almost black. Everything including time, universe, space, reality and virtual is to explore the unlimited possibilities of space with some initial assumptions. N/A bar, which likes an amber, condenses time through objects, music and even the diffused scents.

第七幕[尾声]

Act Seven (Epilogue)

真实的“视觉结构”揭示的是一种既显又稳的存在。如果你想要按你观看的样子建构一个头颅，就必须感受到在其之下的颅骨的结构。我们或许只能从外面进行观察，观看进去的与出来的东西。一个在一连串深层画面中构成了唯一现实的表现领域，在这个领域中构成“最深的皮肤”。

——贾科梅蒂《无尽的巴黎》

The real “visual structure”reveals an obvious and stable existence. If you want to construct a skull as you can see it, you have to know the structure of the skull underneath. It seems that we can only observe from the outside, watching what goes in and comes out. A field of expression that constitutes the only reality is made of a series of deep images, which thus constitutes the so-called “deepest skin”in the field.—— Paris sans finby Giacometti

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