建造就是遮蔽，筑起墙来保护，盖上屋顶，遮荫。皮埃尔·拉尤斯。
"To build is to shelter. Raising walls to protect, and put a roof over, make shade." Pierre Lajus.
"To build is to shelter. Raising walls to protect, and put a roof over, make shade." Pierre Lajus.
© Agnès Clotis
Agnès Clotis
如今，尤其是在20世纪50年代以现代运动到来为标志的罗扬地区，建造一座独立的房子本身就代表了一种建筑活动。
Building a detached house nowadays, and particularly in the Royan region, a territory marked by the arrival of the modern movement during the 1950s, represents an architectural exercise in its own right.
Building a detached house nowadays, and particularly in the Royan region, a territory marked by the arrival of the modern movement during the 1950s, represents an architectural exercise in its own right.
© Agnès Clotis
Agnès Clotis
Axonometric
© Agnès Clotis
Agnès Clotis
兴趣不是屈从于审美或教条，而是利用这个机会更好地理解它的词汇和密码。它们远远超出了表象作品的范畴，而且常常推动绘画在计划上具有极大的智慧，在使用方法上具有很强的灵活性。
The interest is not to bend to an aesthetic or a dogma, but rather to take advantage of this opportunity to better understand its vocabulary and codes. They go well beyond a façade work, and very often push the drawing towards a great intelligence in plan and a strong flexibility in the ways of appropriating it.
The interest is not to bend to an aesthetic or a dogma, but rather to take advantage of this opportunity to better understand its vocabulary and codes. They go well beyond a façade work, and very often push the drawing towards a great intelligence in plan and a strong flexibility in the ways of appropriating it.
© Agnès Clotis
Agnès Clotis
Ground floor plan
我们的想法是建造一座双速的房子。首先是一对夫妇的活动地点，他们的活动将集中在一楼。然后，当家庭完成，地板和它的露台提供必要的表面，以容纳子女和孙子。
The idea is to build a two-speed house. First, a place for the couple, whose activity will be gathered on the ground floor. Then, when the family is complete, the floor and its terrace offer the necessary surfaces to accommodate children and grandchildren.
The idea is to build a two-speed house. First, a place for the couple, whose activity will be gathered on the ground floor. Then, when the family is complete, the floor and its terrace offer the necessary surfaces to accommodate children and grandchildren.
我们想构建一个以测量、控制灯光、以Palazuelo雕刻的方式打开的建筑，其中黑色（阴影）被撕裂，偶尔让白色（灯光）通过。
We wanted to work an architecture that opens with measure, controlling the light, in the ways of Palazuelo’s engravings, where the black (the shade) is torn to occasionally let the white (the light) pass through.
We wanted to work an architecture that opens with measure, controlling the light, in the ways of Palazuelo’s engravings, where the black (the shade) is torn to occasionally let the white (the light) pass through.
© Agnès Clotis
Agnès Clotis
这个愿望带来了一个坦率的计划，沉重。被立体分割、厚度和重力等概念所包围。混凝土砌块涂上白色，以捕捉海洋中的光线，只有地面和屋顶的元素出现在其真正的原始性质。这个灰色的混凝土标志着两条宽阔的水平线，把建筑物锚定在更深的地面上。
From this desire comes a frank project, heavy. Surrounded by notions as stereotomy, thickness and gravity. The concrete block is coated with white, to catch this light from the ocean, and only the floor and rooftop elements appear in its true raw nature. This gray concrete marks two broad, horizontal lines, anchoring the building further in the ground.
From this desire comes a frank project, heavy. Surrounded by notions as stereotomy, thickness and gravity. The concrete block is coated with white, to catch this light from the ocean, and only the floor and rooftop elements appear in its true raw nature. This gray concrete marks two broad, horizontal lines, anchoring the building further in the ground.
一座你感觉得到庇护的房子。
A house where you feel sheltered.
A house where you feel sheltered.
© Agnès Clotis
Agnès Clotis
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