新的凯悦酒店，位于中国地理位置特殊的“瓷都”景德镇。这里的陶瓷生产历史可以追溯到近两千年前，城市的街道和老房子都用瓦片装饰。为了向该地区的装饰和建筑传统表示致敬，David Chipperfield建筑事务所和AIM建筑事务所积极地将陶瓷文化融入到酒店的建筑和室内设计之中。

The New Hyatt Hotel, , is located in a special location in Jingdezhen, China's "Porcelain Capital". The history of ceramic production here dates back almost two thousand years, and the streets of the city and old houses are decorated with tiles and tiled decor. To pay homage to the area's decorative and architectural traditions, David Chipperfield Architects and AIM Architecture actively integrated ceramics into the hotel's architecture and interiors.

酒店简洁的建筑表现力是由红砖立面赋予的，建筑师用开放式的分区和栅栏来对应整体元素。在发展室内设计概念的同时，作者将酒店的公共空间的顺序设想为是穿越中国瓷器历史的隐喻性“旅程”。所以，大堂致力于介绍材料的起源，休息区致力于介绍生产工艺，宴会厅致力于介绍技术的发现，餐厅致力于介绍是如何流行的，水疗区则致力于介绍遗产的形成。

The expressiveness of the laconic buildings of the hotel is given by red brick facades, the monolithic elements of which the architects countered with openwork partitions and fences. While developing the concept of the interiors, the authors conceived the sequence of the hotel's public spaces as a metaphorical “journey” through the history of Chinese porcelain. So, the lobby is dedicated to the origin of the material, the lounge area is dedicated to the production process, the banquet hall is dedicated to technological discoveries, the restaurant is dedicated to popularity, the spa area is dedicated to the formation of heritage.

AIM建筑事务所的设计师解释说：“在每个空间中，我们试图以自己的方式使用陶瓷装饰材料。”“在这里，你可以看到粗糙、未加工的陶土表面和脆弱而复杂的瓷器的对比组合。”用于迎接客人的是一个宽敞的大厅，里面有一个由红色水磨石制成的极简主义的迷宫式平台，以配合红砖柱子。在这些平台上，建筑师们放置了类似熔岩的装置，其灵感来自于传统的陶瓷窑炉和伴随着烧制的过程。

“In each space, we tried to use ceramic finishing materials in our own way,” explain the designers from AIM Architecture. “Here you can find contrasting combinations of rough, unfinished terracotta surfaces and the fragile sophistication of porcelain.” Guests are greeted by a spacious hall with a minimalist labyrinth of platforms in red terrazzo to match the red-brick columns. On the platforms, the architects placed lava-like installations inspired by traditional ceramic kilns and the processes that accompany the firing.

在桃红色的背景下，接待区和休息室显得格外醒目：建筑师在墙壁和地板上铺设了青瓷釉的深绿色瓷砖。蜂窝状图案的瓷砖布局与天花板相呼应，柔软的地毯和舒适的中世纪家具柔和了光泽丰富的表面。

Against a peach-red background, the reception area and lounge stand out brightly: the architects lined the walls and floor with dark green tiles in celadon glaze. The cellular pattern of the tiled layout picks up the coffered ceiling, and the abundance of glossy surfaces is compensated by soft carpets and cozy mid-century furniture.

在餐厅内部，赤土色的建筑背景搭配深蓝色色调，让人联想到钴质瓷器。深色的天花板，地板上有云雾状的瓷砖图案，传统的中国餐桌上有漩涡状元素的瓷器装饰。而客房看起来几乎是单色的，但在建筑群的兵马俑的背景下看起来很合理。

In the interior of the restaurant, the terracotta architectural background was paired with a deep blue hue, reminiscent of cobalt porcelain. There is a dark ceiling, a cloudy tile pattern on the floor, and porcelain finishes of swirling elements on traditional Chinese tables. The guest rooms look almost monochrome and look logical in the context of the terracotta architecture of the complex.

Interiors:DavidChipperfield

Photos:WenStudio

Words:小鹿