挥别我的起点，“老窝袁满”，寻到了属于我的永远“本中小筑”。之所以给工作室起了这样的名字，源于宋代毛并《水调歌头》中的：“小筑百年计，雅志几人成。”此时,你的眼前也许会浮现古木檀香，兰亭独醉的情形，实则不然。工作室立志于在都市繁杂冗馀的状态中，寻找突破和灵感，弃形求意是本案的设计核心。

Bid farewell to my starting point, "Lao Wo yuan man", and found my eternal "Ben Zhong Xiao Zhu". The reason why the studio was given such a name was derived from the words in the Song Dynasty's Mao Zedong's "Shui Diao Ge tou": "after a hundred years of small construction, how many people will become Ya Zhi." At this time, you may see ancient sandalwood and Orchid Pavilion drunk alone, but it is not. The studio is determined to find breakthrough and inspiration in the city's complicated and redundant state. The core of the design of this case is to abandon form and seek meaning.

“本中小筑”的外立面是极具建筑美学的存在，倾斜的墙体，如时间沙漏一般细细流沙，唤醒沉睡的流年，墙与地铺洒着浑厚的大地色系，不娇艳亦不凄凉。风化的岩壁肌理和古松原木的长椅，守护着正门的入口。推开条纹金属玻璃门，光线被均匀的裁剪与分割，斑驳的光影虚虚实实，引领我们进入天圆地方的中庭，柔软的沙发、夯实的陶盆、温暖的壁炉、静止的波纹、摇曳的枝条、如画的锦鲤、流动的纱幔、静谧的灯光，一切都那么自然而然的存在，身在其中，怡然自得。

The facade of "Ben Zhong Xiao Zhu" is an existence of great architectural aesthetics. The inclined wall is like a time hourglass, which wakes up the sleeping fleeting years. The wall and the floor are sprinkled with a thick earth color system, neither charming nor desolate. Weathered rock texture and ancient pine log benches guard the entrance of the main gate. When the Striped metal glass door is opened, the light is evenly cut and divided, and the mottled light and shadow are virtual and real, leading us into the atrium of the round place. The soft sofa, the compacted pottery basin, the warm fireplace, the static ripples, the swaying branches, the picturesque Koi, the flowing veil, and the quiet lights all naturally exist, and we are happy in it.

起身，小踱一步，地台之上是工作区。陈设品不奢侈华丽也不过于时尚潮流，只是单纯Abandon form and seek meaning迂回的动线，我们再次回到中厅，目光驻足之处是门梁之上，红色木质箭头的logo，热烈的红色漆身上镌刻着“本中建筑”。在此承载着一个设计人的理想与追求，同时也陪伴了设计人的成长与蜕变。

Get up and take a small stroll. Above the platform is the work area. Furnishings are neither extravagant nor too fashionable. They are simply warm and friendly. They are retro and lazy, but they do not seem so messy. They look ordinary. In fact, there is no lack of love for old things. With a circuitous moving line, we returned to the central hall again. Where our eyes stopped was the logo of the red wooden arrow on the door beam. The warm red paint was engraved with "Ben Zhong architecture". It carries the ideal and pursuit of a designer, and also accompanies the growth and transformation of the designer.

Interiors:本中建筑工作室袁珂

Photos:本中建筑工作室