In the dining room, 1950s wall lights, by Stilnovo; bar cabinet, by Osvaldo Borsani; ‘Locus Solus’ armchairs, by Gae Aulenti, for Poltronova; table, by Ignazio Gardella; and ‘109’ pendant from the Progetto Non Finito collection, by Dimore Studio. Artworks are Nero, 1964; Grigio, 1988, both by Agostino Bonalumi; and Due Ovali Metallizzati, 2006, by Turi Simeti

任何想要快速浏览迪莫雷画廊对今年伦敦设计节的贡献的人都应该前往梅菲尔的马佐莱尼画廊。以米兰为基础的全方位设计已经把这个空间变成了一套五室的公寓，现代艺术就坐落在这里，旁边是古典家具和当代家具。但你只会看到一眼。每个房间只有通过一个门廊才能看到，只不过是一个房间-你可以看，但你不能触摸。

这个展览由迪莫雷画廊(专门与壁纸*分享其预备拼贴)构思，是一系列合作项目中的第一次，名为“Mazzoleni邀请”(Mazzoleni Request)。Mazzoleni的董事总经理米拉·季米特洛娃解释说：“我们希望与来自时尚、设计、建筑等领域的人合作-这些人是艺术之外的人，但却受到了艺术的影响。”他决定给画廊带来“不同的观点和观众”。

在更衣室，‘Lampada 114’和‘Armadio 098’，都来自Progetto non-Finito系列，由Dimore Studio；一对‘Mod。1943年，马克斯·因格朗(Max InGrand)为FontanaArte设计的壁灯；以及保罗·布瓦(Paolo Buffa)的扶手椅和梳妆台。艺术作品是BaseQuadrata，Modulo 3，Taglio Semplice Pluridirezionale，1969年，Paolo Scheggi著

马佐莱尼曾多次与其创始人布里特·莫兰(Britt Moran)和埃米利亚诺·萨尔西(Emiliano Salci)合作它将这对二重奏的艺术品借给今年的Sonedel Mobile展览，并于2016年在罗马为Fendi合建了一套私人公寓(见W*204)。马佐莱尼为芬迪提供了艺术，而迪莫雷则负责内部事务。莫兰回忆说，“让我们从它的档案中挑选吧。”“那是一次有趣的购物之旅！”

在伦敦的演出中，迪莫雷再次有机会通过马佐莱尼的珍宝。莫兰说：“我们得到的是一份白兰地书。”“我们最初想要创造一些边缘的媚俗。”他解释说：“相反，它已经变得相当优雅了。”“我们试着冒险离开，但我们所做的每一件事最终都会感觉到意大利的色彩和材料。”

迪莫雷的风格，马佐莱尼展示了短暂的一瞥，正在迈菲尔的其他地方永久占据。今年十月，它的第一场演出在帕特，以及它的新爵士俱乐部在艺术俱乐部的地下室揭幕。明年，皇家拱廊将为一位制表客户开设展厅。伦敦时间到了。

如2017年10月号“壁纸”*(W*223)-9月15日报摊上的原版

Each room is no more than a mise en scène, visible only through a porthole. Pictured, the dining room, and the bedroom. Courtesy of Dimore Studio / Mazzoleni Gallery

In the bedroom, ‘Cityscape’ screens, by Paul Evans, for Directional; ‘Model 1842’ floor lamps, by Josef Frank, for Svenskt Tenn; 1940s wall-mounted consoles; 1950s Salottino armchairs; ‘Trilobo’ wall lights, by Venini; 1950s cherry wood bed; and ‘Palm’ carpet, from the Progetto Palmador collection, by Dimore Studio. Artworks are Rilievo O Elementi Curvi, 1967-1972, by Getulio Alviani; and Bianco E Nero, 1968, by Agostino Bonalumi

The living room features a chaise longue by Marcel Breuer; pendants by Gino Sarfatti and Archimede Seguso for Arteluce; ‘Cityscape’ low table, by Paul Evans for Directional; ‘Fungo’ lamps, by Gabriella Crespi; 'Confidential' sofa, by Alberto Rosselli, for Saporiti; floor lamp, by Gofferdo Reggani; and ‘102’ sofa, from the Progetto Non Finito collection, by Dimore Studio. Artworks are Mernoek, 1989, by Victor Vasarely; Concetto Spaziale, Attese, 1962, by Lucio Fontana; Giallo 1969, by Agostino Bonalumi; and Concetto Spaziale, 1968, by Lucio Fontana

The living room, and the bathroom. Courtesy of Dimore Studio / Mazzoleni Gallery

In the bathroom, ‘Mod. T - 792/MF’ ceiling lamp, by Hans Agne Jakobsson; ‘Mini Arco’ console, by BBPR studio, E Peressutti, L Barbiano di Belgiojoso and E N Rogers for Olivetti Synthesis; ‘Mod. P600’ table lamp, by Gino Sarfatti; ‘Bouquet’ wall lamp, by Hans Kögl; and toilet set, by Gio Ponti in collaboration with G Labalme, G Pozzi, A Rosselli for Ideal Standard. Artworks are Concetto Spaziale, 1961, by Lucio Fontana; Smettere in Moto, 1978-1979, by Alighiero Boetti; Concetto Spaziale, 1965, by Lucio Fontana; Superficie Blu, 2004, by Enrico Castellani; Superficie a Testura Vibratile, 1962, by Getulio Alviani; Concetto Spaziale, Attese, 1959, by Lucio Fontana

Installation view of the dressing room at Mazzoleni Gallery. Courtesy of Dimore Studio / Mazzoleni Gallery

keywords:London Design Festival, Dimore Studio, London exhibitions

关键词：伦敦设计节，迪莫尔工作室，伦敦展览