隐秘之家的色彩狂欢 | 漫画家之屋_家装空间_设计案例作品

发布时间：2012-12-17 15:12:00 {{ caseViews }} {{ caseCollects }}

设计亮点

以简约白色外皮包裹多彩内部空间，巧妙结合建筑与艺术，呈现丰富的光影效果。

Photo © Hans Peter Follmi ®IC4U Föllmi Fotografie

其如同锦缎一般覆盖了建筑，却又揭示了历史。

这座白色的四层房子隐藏在老城区的密巷中，循着教堂的钟声和鸟儿的鸣叫过去，能看见披着一身纯洁无暇白色表皮的它。它里面住着一位热爱自然的漫画家，家里摆满了缤纷的收藏品，溢出浓浓的艺术和时间气息。光和空气穿过白色表皮后，以意想不到的效果在房间中四溢，让房间中的原有的缤纷色彩仿佛炸开了锅。简洁隐晦的白色外皮里面是色彩绚丽的住家环境，建筑师将艺术和建筑修复极其绝妙的结合。

白色表皮占据建筑四个里面，屋顶平台运用同样元素。外色白表皮是激光切割的六边形网格铝合金穿孔板。

Between The Sheets | Damask

In the centre of the old city, a hidden pattern of secret alley- ways has been partially restored. A new house and atelier designed by Angie Abbink (Abbink X De Haas architectures) is squeezed between two alleys, the Blue Sheet alley and the Black Sheet Alley. This is one of the few new developments in the historically charged Blue Sheet Block where monuments and restoration take precedence. It is a neighborhood rich in contrasts and culture, a block with a squatter’s history and surprising spatial effects.

The project is steeped in contrasts. On the one hand the hous- ing corporation required a practical, flexible, affordable and durable social welfare house which resulted in a simple white box with 4 facades including the roof garden, each with its own urban story and unique character.

On the other hand the tenant is a nature-loving cartoonist with a creative family who lived in an old run-down social welfare house down the same alleyway. They lived in a home overflow- ing with art, colour, memories and collections, veiled from the outside world where light filtered through from unexpected angles. Every space in the house was filled, and every square inch of wallspace covered, the very fabric of the place exuded colour, colour, colour.

The needs of the urban situation, the client and of the users were combined in a simple white treasure chest with a veiled facade, behind which a colorful family can create its own world. This veiled house was conceived as the final statement in an urban restoration project which lasted almost 20 years. The designer Chris Kabel was commissioned to express and materi- alize the veil.This art project was initiated by Angie Abbink who worked together with Kabel in this sublime integration of art and architecture.

Kabels design consists of white aluminum panels perforated with a repetitive patter nusing an industrial punching technique as an affordable alternative to laser techniques.The perforation is a grid of adapted hexagons. The shape is designed specifi- cally so that it can be folded in two directions to either catch the light or create a shadow. The observer thus discovers a drawing on the façade created by light and shadow reminis- cent of the textiles industry that used to flourish in this part of Amsterdam.

Damask covers a building and uncovers a history.