Site Plan

Concept

Diagram

Floor Plan

Stacking Process

【疊敘】

本案地理位置眺望湖景與山林，設計上訴求人、空間與環境之對話，透過形體、材質、光影等設計元素，導入各空間場域，加深視覺景深及層次。整體設計構想來自於解決屋主大量收藏畫作的收納及展示問題，進而衍生出”疊敘”的設計概念:把天花板、樑、櫃體、牆面、地板、甚至畫作都視為單一量體單元，進而在各個不同量體間，去做碰撞、堆疊及延伸，包含橫向櫃體延伸至牆面、直向天花板轉折至地板的處理，帶出材質的連續性，同時也巧妙界定各空間的機能，強化動線的流動性與視覺深度。

整體空間色彩採黑、白、灰與大地色系，選用原始材質，導入大量自然光，以勾勒內歛、沉靜的自然氛圍。此案設計最特別處在於一道道移動畫軌牆，除了收納及展示屋主每一畫作外，層層交疊的展示也開創出截然不同的觀賞層次感。透過畫作、量體、材質間不同的堆疊、介入及對話，低色度的運用襯托材質的原始質地，以勾勒出此一獨特專屬於屋主內涵的生活場域，回歸居住空間的靜謐本質。

【Narrative of Stacking】

The design strived to solve the storage issue for housing many collected paintings by exploring new display solution with the design concept of “Stacking”, which was to regard ceiling, beam, cabinet, wall, flooring and even paintings as single volume objects that collided, stacked and extended both vertically and horizontally in articulation and definition of material continuity and functionality of different domains, as well as intensifying visual depth and the flow of the circulation.

The overall color-scheme was of black, white, grey and earth tone, complemented with genuine materials and ample natural light in sculpting tranquil scenery. A defining stroke of creativity was to house and display the client’s paintings, with every moveable panel layered against one another; it opens up a refreshing angle of creative appreciation. Moreover, through the overlapping, collisions of colors, materials and paintings, the designed space was given an interwoven visual layering, while the overall spatial visuals formed around the concept of “Stacking”, perfectly conveying everything treasured by the clients, in creating space and visual experiences that are unique to them only.