《道德经》告诉我们：“

凿户牖以为室，当其无，有室之用。”构成空间固然只是六个面，但真正让空间“有室之用”的，正是六个面围合而成的“无”。作为入口空间，更是被赋予特别的仪式感，因为这里的场所精神，代表着进入时对于建筑内空间的期许与遐想。

《The Book of Tao and Teh》 once said: "Chisel household banyan as a room, when it is not, there is room for use." Although the space is composed of only six surfaces, it is the "

nothingness

" that makes the space "have room to use". As the entrance space, it is given a special sense of c

eremony feelings

, because the spirit of the place here represents the expectation and reverie for the space in the building when entering.

当我开始冥想这份场所精神，各种影像就会在脑中纷至沓来。它们有的是童年所见，有的是旅途所闻，有的则是面对山水长卷时的所思

……

如果将中国的泼墨山水画归纳到极简，就是水平与垂直两种线条的结构。水平代表水，垂直代表山。山为刚毅，水是至柔，刚柔相济，阴阳和合。而一阴一阳，又演绎

“天地”

之道，斯无穷矣。

When I start to meditate on the spirit of this place, varies kinds of images will come to my mind. Some of the images are what I saw in my childhood or in my life journeys, and some are my thoughts when I appreciate the long rolls of mountains and rivers... If we sum up Chinese ink-splashing landscape painting to a minimalist, it is the structure of horizontal and vertical lines. Horizontal represents the water and vertical represents the mountains. Mountains are tough and rough, waters are mild and soft, together, Yin and Yang are in harmony. And Yin and Yang, and deduce the "heaven and earth" way, is infinite.

泼墨山水，朦胧烟云，氤氲空灵几许；门海天地，境随心转，景语皆是情语。

Sprinkle ink

of

 mountains and rivers, hazy smoke and clouds, vague and ethereal; Menhai

,

the

universe

, the

environment

 changes with the

mood

,

the words of space

 are

the

 words

 of love

.

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