MO 博物馆“庆祝变革”主题展——从个人到国家的跨越_文化中心_设计案例作品

发布时间：2021-10-20 13:16:41 {{ caseViews }} {{ caseCollects }}

设计亮点

通过空间设计和摄影作品，呈现出从个人庆祝到国家庆祝的转变过程，以及自由与混乱的主题演变。

MO博物馆举办了以“庆祝变革”为主题的展览，旨在“庆祝”个人与社会的变化。展览以“界限”为概念，将来自立陶宛艺术家的丰富照片集中呈现，形成了一个象征过渡、跨越、转变与回归的仪式空间。展馆建筑配合主题的诠释，为参观者创造了连贯的场景。

“Celebration for change” is the topic of MO museum main exhibition that speaks about the feast as a state of personal or social transformation. A wide selection of photographs created by Lithuanian artists is united by concept of liminality. It is a ritual space to signify transition, threshold, transformation, and return. These aspects are interpreted by the architecture of the exhibition, creating a coherent scenario for visitors.

▼项目概览，overall of the project © Norbert Tukaj

展览由三部分组成，每个区域内形成了个性化的空间氛围。在展览中进行线性运动仿佛一种仪式，将大量作品串联起来。这样的布局也揭示出不同作者和时代间的关系。

The exhibition consists of three main sections with an individual space atmosphere. Linear movement through the exhibition refers to a ritual and helps to structure a large amount of works. Such a layout reveals connections between different authors and periods.

▼入口区域概览，overview of the entrance area © Norbert Tukaj

展览从平静的小规模体量开始，“桌子”元素作为一种暗示代表了传统的个人庆祝。随后，水平面逐渐变为垂直墙壁，张力积聚，曾经开放的空间变得压抑。这一过程对应着从个人庆祝到国家庆祝的过渡。游客将被引入一个结构严密的区域，家居物品的尺度随之转变为一种意识形态的表达。

Exhibition starts with a calm small scale architectural volume with a hint to the table. This symbol stands for traditional personal celebrations that usually has element of table. The horizontal plane gradually transforms into a vertical wall, the tension grows and the once open space becomes oppressive. The transition from personal to national celebration follows. A visitor enters a zone of strict structure, the scale of the household object is replaced by a material expression of ideology.

▼入口处的“桌子”元素，table at the entrance © Norbert Tukaj

▼水平面逐渐变为垂直墙壁，the horizontal plane gradually transforming into a vertical wall © Norbert Tukaj

▼展览细节，details of the exhibition © Norbert Tukaj

系统中，一个通往自由的裂缝将引领人们进入“Žalgiris”的投影空间，揭示出民族主题的新内涵。即使是刚刚经历过“裂缝”的游客也会因黑暗与投影的尺度而再次兴奋起来。裂缝之中，自由的主题将演变为“混乱”。

However this system has a crack which leads to liberty, to a space with a projection “Žalgiris” in which the national motif takes on a new meaning. The scale of the projection and the darkness excites even the visitors who have passed the strict structure. After this moment, the theme of freedom spills into chaos.

▼从入口看内部展示区，view of the interior display area © Norbert Tukaj

▼裂缝，the crack © Norbert Tukaj

▼裂缝内部，interior of the crack © Norbert Tukaj

描绘自由亚文化生活的成组展品在空间中以不同的形式呈现，独具个性。最终，展览以个人的摄影体验收束。带着新的经验，参与者将在此回归对自身的探索。展览空间也从结构上将观看者置于中心位置，意味着一种摄影者的能力已然成形。

Groups of exhibits depicting the life of subcultures scattered freely in space are presented in different forms, as are their individual characters. Eventually, the personal photography are approached. After gaining new experience, the participant concentrates (returns) on himself. The spatial structure places the viewer in the center position, now he has the ability to perform the act of photography.

▼成组展品，groups of exhibits © Norbert Tukaj

▼不同展示方式，different way of display © Norbert Tukaj

离开展览时，参观者将从另一侧再次经过入口的同一张桌子。回到起点，新的疑问随之诞生：“变革”是否已经发生？

Leaving the exhibition leads through the same table, only on the other side. After returning to the starting point the question arises whether change has taken place?

▼项目更多图片

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