巴西 COR 商店 | “具体艺术”融入空间的色彩展示_摄影店_设计案例作品

发布时间：2017-07-16 13:24:00 {{ caseViews }} {{ caseCollects }}

设计亮点

通过单一视角将抽象颜色概念转化为空间感知，创造出白色墙壁与彩色“口袋”相结合的视觉体验。

架构师提供的文本描述。COR商店位于巴西利亚一家购物中心的地下停车场。

Text description provided by the architects. The COR shop is located in the underground parking of a shopping mall in Brasília, Brazil.

c.HaruoMikami

客户为商店“COR”(葡萄牙语颜色)所做的简报要求我们创造一个空间，既可以作为巴西品牌绘画和建筑涂料的展示室，也可以作为展示来自圣保罗的家具设计师保罗·阿尔维斯作品的背景。同时，空间应足够灵活，以便主办缔约方和活动。如何在狭小的空间中连接这些不同的用途？

The client´s briefing for the shop “COR” (color in portuguese) asked us to create a space that could work both as a showroom for a brazilian brand of paintings and architectural coatings and as the backdrop for the display of the work of the furniture designer Paulo Alves, from São Paulo. At the same time the space should be flexible enough to host parties and events. How to connect such different uses in a small space?

我们把保罗·阿尔维斯的工作作为一个起点。我们把他对具体艺术的热爱看作是连接所有建议用途的元素：色彩。根据1930年特奥·范德斯堡的“具体艺术宣言”，“融合不是抽象的，因为没有什么比线条、颜色和表面更具体、更真实”。在这种情况下，我们感兴趣的是将抽象的颜色概念转化为在空间中可以感知到的东西。因此，我们看了艺术家的作品，如费利克斯，瓦里尼和乔治鲁西，他们的目的是创造特定的形式，只有从一个特定的角度观察存在。

We looked at the work of Paulo Alves as a starting point. We saw his love for the concrete art as an element that could connect all the proposed uses: color. According to Theo Van Doesburg in his Concrete Art manifesto from 1930, “Concretism is not abstract because nothing is more concrete and real than the line, the color and the surface”. In this case we were interested in transforming the abstract notion of color into something palpable in space. Therefore we looked at the work of artists such as Felix varini and George Rousse and their aim of creating certain forms that only exist when observed from a specific point of view.

c.HaruoMikami

我们创造了一系列白色的墙壁，主要是作为家具的后盾。这些墙壁被放置在空间，根据一个单一的透视点，在商店的正门。因此，从这个特定的角度来看，展厅看起来就像一系列白色的墙壁、地板和天花板。这一特定的观察点的标志是一个白色的圆圈在地板上的黑房间，前面的入口。然而，当一个人进入商店时，五颜六色的墙壁、地板和天花板的小“口袋”就显露出来了。这是在从定义的角度来定义颜色表面的界限的透视线之后实现的。内部的颜色只有通过游客的行动才能显现出来。

We created a series of white walls that serve mainly as a backround for the furniture. These walls were positioned in space according to a single point of perspective at the main entrance of the shop. Therefore, from that specific point of view, the showroom looks like a sequence of white walls, floosr and ceiling. This specific point of observation is marked by a white circle on the floor inside the black room that precedes the entrance. However, small “pockets” of colorful walls, floors and ceilings are revealed as one enters the shop. This was achieved following the lines of perspective from the defined point of view to define the limits of the color surfaces. The internal colors are only revealed through the movement of the visitor.

c.HaruoMikami

Floor Plan

c.HaruoMikami

第二个显示窗口面向一小群停车位。只有从这个角度来看，才有可能同时看到整个内部空间。

A secondary display window faces small group of parking spaces. Only from this point of view it is possible to see the whole internal space at once.

c.HaruoMikami